- Lower Your Concepts
- Industry jobs
- How to Sell Rights to a Life Story?
- How do we get big $$?
- The WGA Thing And Pending Sales...
- A new Hollywood
- Any luck marketing yourself through a personal webpage?
- Bad Deal VS. No Career Ever
- You have a great title for your spec - can you protect it?
- Setting Production Schedules
- what's a low-concept writer to do?
- Contract Question
- Memorial Day
- Talent question
- Union card...
- shortfilms
- Execs, lawyers, agents, fellow scribes -- HELP!
- It Ain't Over Till It's Over...
- what happens if you send out an unsolicted script...
- How long is a brief synopsis?
- option expired
- On Being a Reader
- Writer/Producer contract
- Say I've got a script.....
- Best Internet source for contacting production people?
- TULIPPINK: On Your Coverage Woes
- dilemma
- contact information
- CE: writing for a star?
- attached to direct your own screenplay???
- Story option $$$ question
- Help me break into film & U would have a hit screenplay!
- Outside of DD messageboards...
- advice for selling low budget script
- What makes a writer "A-list"?
- en emergency
- mid-six figures against seven???
- What percent of AGENTED specs get sold?
- Getting that production bonus
- Question about copywrite
- Price for a first time sale?
- Politics
- How do production companies make money?
- Securing Rights
- Do cartoon film scripts sell well?
- Which Genre lends itself better to distribution?
- Implied contracts
- Copyright Q
- To SASE or not to SASE
- "Writer" v. "Aspiring Writer"
- For Story Analysts Who Broke In Cold
- Picthing
- Question about life rights contract
- Treatment or Full Script?
- "No plane crashes, please!"
- Dance with the Devil or Play It Safe?
- Pitching advice
- Would it be worth while...
- Pitching to talent I have written a role for
- Ought to be paid?
- resumes...please help
- How hard to push a script?
- Strangest Requests/Perks For Screenwriters
- Pay or Play
- Filming in Canada or other places
- CE - "Lower Your Concepts" Revisited
- How to keep the momentum going...
- Budgets Online?
- What's the reasonable share for partnership?
- Rewrite?
- Will I be successful if...
- Cold calling tips ??
- Looking for a Reader...
- The next step...
- copyright
- First time writer/director?
- Collaberation
- Vertical skimming
- What do I do next? Or, what to do I do first to make a sale?
- Script Analysis
- Is copyright enough protection
- What are the chances?
- Tracking down a copyright
- Caveman Tales
- Need Advice with Manager/Potential Deal
- Advice for Reality TV pitch...
- WGA Reg and Script Changes
- Help With A Quote
- tracking boards
- Complete Scripts...Now What???
- Pseudonyms
- Selling movie rights of a book
- Looking for advice re: option deal
- Spec Sales?
- Amount paid for screenplay (vs. "Written by")
- Was offered $1800 today...
- Arbitration appeal?
- Minimum buy-out price?
- Tracking Boards - Their Secrets Revealed
- All time top box office comedies
- Non-Theatrical Movies
- who's the best contact of em all
- after the option
- make it or mail it
- No unsolicited submissions
- Is this improper?
- Sending My TV screenplay
- WHY have an agent before sending material to producer(s)?
- Studio/Your Script - How Long?
- Release Forms
- College major
- Tips on Moving to LA
- Public Domain Characters
- Script Marketing Scenario...
- What's the best day job for Writers?
- Screenplay Readings
- MOTIVATION AFTER REJECTION
- WGA minimum scale
- Copyright and binding
- Script Budget?
- how do I do this?
- Rule of thumb for US Boxoffice to total income
- Similar info on agents and sales for books?
- obtaining email addresses
- What to expect during a pitch meeting...
- So what now?
- Developing your screenwriting career
- Spec vs. Commissioned
- UK Writer: Working On First Horror Screenplay
- How Can You Pitch If You Live In The UK
- Payment: Just A Few Thousand Would Do Me!
- The Low Budget Horror Market: Payment
- No money option
- Querying agents about TV material
- What budget-fattening elements could kill a newbie’s script?
- need attorney producer crying breach
- Production Question - Ent. Contracts
- Where was that post asking what to do if you know someone
- Old Reality Show Hollywhooped Letter
- I vs i
- Is Living in Lake Arrowhead a Viable Option?
- producing it yourself
- Are postcards a better alternative to SASEs?
- Where is the new independent film boom?
- I regularly need UTA joblist--can anybody help?
- What will you do?
- Tale of Two Pros
- Las Vegas
- my first meeting/someone wants to purchase my script!
- SCRIPT SERVICES
- book rights - no, not going to adapt someone else's book
- The First Time I Got Paid For It
- Writing Intern
- registering your script
- "Studios and producers... like squirrels stashing nuts&
- Should An Author Register Book With WGA?
- Am I crazy
- The Hollywood Numbers Game
- Which is better, manager or agent?
- Finishing Funds...
- Grad school
- Shopping my script
- What's my next step
- Older Writers Win a Round Against Networks
- Treatment Submission
- Historic Screenplay
- Petrie wins at WGA
- What do the Guildes actually do?
- Collaboration
- Question
- "Ride with the Devil"
- Definition of $uccess
- IMAX
- I'm moving to LA! I need advice on where to start.
- Proposal for Option!
- Life Question
- Low Budget movie - Words of wisdon and experience?
- Ringing producers
- Breaking in to Hollywood... from Australia!
- Screenwriting contract
- coming to LA next week
- WGA to restart contract talks
- WGA reaches deal...FYI.
- LA employment advice
- Dealing professionally with personalities
- Why bother? RE: "screenwriter wannabees, don't post h
- I need your advice
- MOV financing
- what do you do with your short scripts?
- similar premise
- Shopping agreement vs. the $1 option...what is it?
- collection of short screenplays
- Rewrites Pay V creating from a treatment Pay ????
- What if they have no release to sign?
- is that agreement ok?
- collaboration??? Q, and the pay rate
- Could he be my agent?
- Option Question
- Clarify "can he be my agent?"
- Adaptation exclusive $$
- Credits question
- Another Stinking Copyright Question
- Chance at a Production Assistant job on a movie
- What Kind of Forms?
- Rights to Out-of-Print Novel, Author Deceased
- what is the procedure in hollywood?Is it a vicious circle?
- So…what does a studio producer want from a new screenwriter?
- Offer for script...which option is best?
- want to adapt a novel? ask first..
- Serious about screenwriting...relocate to L.A.?
- Query Letters
- First look deals
- Advice from Terry Rossio and Ted Elliott
- Retainer agreement from a lawyer
- Any hope for a Biopic?
- Development Hell… where your great script gets butchered…
- Agent or no Agent?
- Letter of Attachment
- BRANDING???
- HELP! TV packaging agent wants my idea: now what?
- Has it been done? Is it about to be done?
- Movie Remakes Question
- THE RELOCATION QUESTION...Again.
- us visas...
- I made a film, now how do I sell it?
- Is it cool to send your script without a release form?
- contents of portfolio?
- Help: Got 5 Script Requests, But Too Soon
- Citing inspiration
- Comic book scripts
- Assignment of Rights - when should you sign one of these?
- Screenplay Budget vs How much the writer gets paid...
- Getting names
- Big Dumb Movies
- An Option for Christmas...
- What's the minimum option you'd accept?
- Actors with production companys
- Turning A Novel Into A Screenplay
- Production etiquette
- short script asking price is...
- Puss in Boots
- Script to film, now what?
- Query Blitz -- Seasonal Factors?
- Credits Question
- Studio Tracking Boards - Alive And Well
- sample letter requesting use of copyrighted material
- When someone else sells a screenplay just like yours
- WGA minimums Option
- "Non-exclusive" option?
- Direct to video or nothin'