Networking question

[Novice Paul]

Hey, guys --

I got a quick question on the right... or "not so right" way to network once you are actually working in a big production company. I am a locations assistant on a big budget feature film here in Boston -- we're talking A-list actors (although they don't come here until next week for rehearsals).

I mean I'm here in the offices with the director and producers every day. We're way behind, scrambling to get locations sqaured away, but that's another story.

Anyway, I am currently working on something I consider to be high concept with a teacher from my film school and I want to know how I should go about approaching these big names on getting them to read my work once it's executed the right way, without being a nag. I understand they are very busy, which is why I haven't really done anything yet except shoot the **** with them. But, I am here with them every weekday and I figure, most writers wait years to be in the same vicinity as some of these guys... Why not take a chance as long as it's not too bothersome?

So... any advice?

[Minibrain]

Be the most useful, competent, hard-working guy on the production.

With a good attitude and sense of humor.

Without being pushy or obvious, mention that you're in school, what you're studying. That you write.

The very best way in -- is for one of them to ask you what kind of writing you do. And then ask if they can read it.

And they will. If you're an engaging, intelligent person.

If they don't, that's okay, too. But wait until things are busy, then maybe ask by email or mail.

Don't be forcing your scripts on people who are crazy busy in the middle of production.

Oh, and you've got a far better shot with the producers than with the actors.

[RGF]

Since you say you are "working on" a high concept piece, I'll assume it's not done yet. So if it's not good enough to show, and if they ask to see something, you could shoot yourself in the foot. Unless you have other samples you can show them. As stated above, wow them with your work ethic and personality...use the situation to make a great connection but make sure the script is done and perfect before pitching it. Even if it's months later...they'll remember you...and you can wow them all over again. This time with your writing.

[Minibrain]

Oh, and one other thing --

Probably more important than trying to get read right now, is getting another job. In Los Angeles.

If you're still in school, try to line one up for your next break.

If you're finishing school, ask these people about jobs in Los Angeles.

If they like you, they'll want to help you get a job out here.

[Novice Paul]

Thanks for the advice, guys. It all sounds good. I'll put it to good use.

[-XL-]

Mini's advice, as always, is spot on. Just wanted to add: don't forget about the assistants.