PDA

View Full Version : Business Questions and Advice


Pages : 1 2 3 4 5 6 7 8 9 [10] 11 12 13 14 15 16 17 18

  1. So, what's next?
  2. Newbie Question
  3. Joss Whedon's Plan to Monetize Internet Content (Watch Out, Hollywood)
  4. Quick question about copyrighting your work....
  5. "Cross-pollination of Hollywood screenwriters and comic book scribes" Nicholl winner!
  6. Ben Silverman out at NBC Universal - has new venture to produce internet content
  7. Is there genre specific business strategies for new writers?
  8. Notes from a manager
  9. Sending Scripts Directly to Actors?
  10. Book rights option
  11. WGA pros and cons
  12. A cry for tracking board help!
  13. Producer Dean Devlin of Independence Day gives timely advice
  14. Pen Name Question...
  15. More Big $ in a Movie or Series?
  16. Interesting article on the biz ... steps/pitches/etc
  17. Contract for Spec TV Pilot
  18. Thoughts on marketing via a website...
  19. Which Sub-Genre(s) will be POPULAR in the distant future of SCREENWRITING?
  20. The SKY IS NOT FALLING!
  21. Does Peter Jackson have a point here??
  22. Can "Swine Flu" Destroy Hollywood?
  23. Attaching talent is the ONLY way to sell a script these days
  24. Keeping our heads down and do what we love to do...
  25. The NY Times: on the state of independent film
  26. Networking Question (Getting The Read)
  27. Question About This So-Called "Breaking In"
  28. Is this script Pitch any good or bad?
  29. "Writers, Now Than Ever, Must Think Like...
  30. The MENTAL GAME!
  31. He saw his script/film(DVD) on sale at a Dollar Store
  32. S Corporations / S-Corps
  33. Standard approach to queries and seeking representation
  34. How fast things change...when you're published
  35. A-List Stars Flailing at the Box Office
  36. Pitching just a treatment before writing the screenplay?
  37. Copyright questions
  38. Going rate for 30 second commercial script???
  39. Do short films ever get sold?
  40. Query pitches
  41. Now what?
  42. Website
  43. Attaching Talent for a reality show
  44. Question about actors and such
  45. "Shocking! Disney Buys Marvel Entertainment!"
  46. Driving Myself Crazy...
  47. Over the long weekend
  48. Writing Remakes
  49. Same story just been released
  50. Rights?
  51. Fair use of copyrighted images in a short film...
  52. "I Will Not Read Your ****ing Script"
  53. Approach at your own peril
  54. Network!
  55. Fair Use: Song Parodies
  56. Pro Screenwriter - Sheldon Turner- best advice to screenwriters..
  57. TV Pilot Option - Questions...
  58. I Did the Thing Everyone Says Not to Do...
  59. When is waiting for help doing nothing?
  60. "Love Happens" lawsuit
  61. "Loosely Based On"
  62. How to write a remake?
  63. Is A Package Necessary To Sell A Spec Script To The Studios These Day?
  64. Anyone dealt with this before?
  65. Who to push a TV movie to?
  66. My first script, now what do I do next?
  67. Period Pieces dead?
  68. Pricing Your Script
  69. Writers from Germany trying to break in
  70. Dave Trottier: Get in the Game!
  71. Script based on a joke - legal issue
  72. A Turn for the better...?
  73. What analogy should I use?
  74. Source Material from Wikipedia
  75. Pros and Cons - One Producer or Many
  76. Slapping An Existent Property Title On A Unique Spec For Saleability
  77. WGA signatory
  78. Best place for Animated Kid's Movies?
  79. Do you keep querying after you've gotten requests?
  80. Script Adapted into Novel
  81. Scripts with a famous/celebrity character?
  82. TV Producer looking for 'metrosexual' scriptwriter, WTF
  83. Another copyright question
  84. To sell or not to sell a web-series?
  85. Business Cards
  86. Territories
  87. Why Do Films Cost the Same to See?
  88. Can someone please explain the immigration thing?
  89. Need some advice on meetings...
  90. Include subtext & theme in pitches, or no?
  91. Screenwritingcompass.com says they are out of money
  92. Story concept credit
  93. Need help sorting it all out (story vs writer)
  94. New writer/producer gets A List talent attached to his show. What next?
  95. Do High School Comedy/Drama's sell?
  96. How to market short scripts?
  97. Question on WGA Registration
  98. Holy crap!
  99. I freaking hate these freaking release forms
  100. For Hire Work
  101. Rights to a band's story?
  102. Breaking Up with my writing partner, feels like a painful Divorce
  103. I Need a blank Release Form
  104. Why HAVEN'T You Moved To LA?
  105. Novel out of copyright
  106. Networking Tips
  107. Specs Based on Books
  108. Spec vs. Adaptation of prexisting material: A newb question.
  109. Writer's Percent
  110. What's The Going Rate For A One Hour Spec Script TV Action/Drama Pilot?
  111. Paranormal Accounting
  112. NEVER set your story in China.
  113. When in LA, you must...
  114. Profit points under WGA low budget agreement
  115. Script sold to foreigner - now shelved...
  116. Espionage A Good Sell?
  117. InkTip Solicitation
  118. How would I write a resume with zero accomplishments as a writer?
  119. IMBDPro lists my optioned script "in development" w/ Prodco I never met.
  120. Has anyone written a book?
  121. Co-Wrote
  122. Group brainstorm
  123. Writing a script based on a friend's idea
  124. Unauthorized biography rights
  125. Script Requests -- Send via Rep?
  126. Address Question, NY vs. MD
  127. What should I expect at meeting with top Agency's Finance & Packaging Independent Div
  128. Taken off an email listing (re: Don't Write Animated Spec's)
  129. A little paranoid
  130. Mentioning contest results?
  131. When writing with a partner...
  132. Buzz In The Age Of Diablo Cody
  133. The Death of High Concept?
  134. Would You Write a Video Game?
  135. Marketing Yourself In The New Age
  136. Has anyone got more than just a sale?
  137. Holilday Breaks for Agencies/companies
  138. Submission times
  139. Interesting Stats...
  140. I know nothing about this business...
  141. Supporting role attachments - help much?
  142. How to get info on certain scripts, rights, duration, etc?
  143. Packager
  144. lots of questions here
  145. Question about a series pickup order.
  146. When a script just like yours comes out?
  147. Was It Really Easier To Sell A Spec Back in The
  148. Would releasing DVDs and streams
  149. Creative Commons or General Public Licenses.
  150. I Have A LIST TALENT Attached to TV PROJECT
  151. What happens when rights are sold?
  152. Pitch Just a Bit....Outside
  153. Reality TV Showrunner
  154. Interim Solution to Protecting Author's Rights
  155. ReWrites and Turn arounds
  156. What is my cut? Repping/Packaging/Pitching
  157. Sources for Biopic
  158. What parts of a reality show format are copyrighted?
  159. How To Utilize an Industry Mentor?
  160. Drop out rate
  161. The Spec Market
  162. Hollywood on Standby?
  163. Need advice.
  164. Spec Market
  165. Marketing: Angels in the Outfield?
  166. Production Co. wants to pitch my stuff ... need Agent or Mgr?
  167. Business help please
  168. Getting script to director
  169. The more positive numbers the spec market 2009
  170. Making a low-budget feature
  171. Writing Specs That Are Lower Budget -- Good Idea?
  172. The Post-Apocolyptic Market
  173. More Pitch Questions
  174. Working with other writers
  175. Working in development
  176. Why You Shouldn't Worry About Locations
  177. Indie film distribution options?
  178. My TV Show Dilemma
  179. Assignments -- Can NEW writers without a sale really land them?
  180. Residuals for writers?
  181. Breakdown of a manager's fee structure?
  182. Crossing Genres?
  183. Mentioning Celebrity Names
  184. Sending your scripts directly to producers
  185. If It's Not Hi Concept, It's Not. So What? Bite Me
  186. Q @ following up in role of producer
  187. Taking an assignment or not
  188. Is it EVER a good idea to pitch a script before it's done?
  189. Story with old men as main characters impossible to sell?
  190. The Slush Pile
  191. Future of filmmaking: what one guy can do
  192. Optioning a Comic Book
  193. How are studios weeding out scripts for development?
  194. WGA new member night
  195. Based on a true story
  196. Based on a True Story - Book in Public Domain
  197. So what production companies have discretionary funds?
  198. Screenwriter pay for low budget feature
  199. Buried sparks bidding war at Sundance
  200. At times this Business sucks the life...
  201. *The* thread about parallel development
  202. Awesome blog on cratering a pitch
  203. The ensemble rom-com.
  204. Parallel Development Thread
  205. How many times do I register the same script
  206. Where do old screenplays go to die?
  207. How important are writer groups for a successful career?
  208. Product Placement Funding
  209. Okay Sundance is officially over...
  210. What can we learn from B.O. failures...
  211. The Hollywood Taliban...
  212. Elevated Horror
  213. Is this legal?
  214. What is the writer's role on set?
  215. How do I leverage the Coen Bros. "True Grit"?
  216. Writing Spec Business Question
  217. Student Film
  218. Hollywood is virtually a closed shop?
  219. To Option or Not to Option: News Articles as Research
  220. Copyright transfer / assignment of exclusive rights
  221. Betting on Box Office may be approved soon
  222. Follow up question
  223. Getting old Oscar-nominated actor in short, then what?
  224. Should I pay to have someone pitch my script?
  225. Controversial Pitches
  226. Forget the spec market -- Sell your script on eBay for six figures.
  227. Does everyone live in Los Angeles?
  228. Writing Partner and Representation
  229. Attaching Talent
  230. Similar Script
  231. Anyone here high enough up on the food chain...
  232. What to do about this free-option "offer"?
  233. Hurt Locker Sergeant Sues
  234. Replies to E-Queries?
  235. My job reading queries...
  236. How can you tell the financier is the real thing?
  237. Contact shelf life
  238. The new Oscar voters and what this means for the industry
  239. What The John Hughes Oscar Tribute Told Me
  240. Filing Income Tax
  241. CV question
  242. What's a TV Pilot spec sell for these days?
  243. Why Screenwriters Are The Whipping Boys In The Film Industry.
  244. How Did Mark Boal Get To Be Producer On Hurtlocker!
  245. New member looking to ask questions
  246. Response Time?
  247. Does it make a difference?
  248. Querying through Facebook
  249. Animation?
  250. Option Agreement