View Full Version : Business Questions and Advice

Pages : 1 2 3 4 5 6 7 8 9 10 11 [12] 13 14 15 16 17 18

  1. See 1000 films or read 1000 scripts?
  2. Complex situation re: past option/new agent
  3. So is it 15% or 10%???
  4. Script based on Novel written in 90's
  5. Crediting Script Consultants?
  6. Redeveloping with a producer...
  7. Can somebody explain what this clause means in this Option agreement?
  8. Writing assignment advice needed
  9. Do I pitch to a network or production company first?
  10. Script writing in Australia
  11. Permission for short, NOT for feature rights...?
  12. Is copyrighting work essential for a UK writer?
  13. Foreign that purchased sp goes belly up
  14. Lesson learned: Screenwriters must have lawyers
  15. Nda.
  16. Above the line and below?
  17. Amazon Deal
  18. Opportunities?
  19. Producer / Studio Meetings?
  20. Resume request?
  21. Crediting Public Domain Author on Title Page
  22. Question for copywriters
  23. Title page info.
  24. Copyright transfer on one script from a registered collection of works
  25. How Do You Get Name Actors to Read Script for Indy Film?
  26. Should the WGA Shut Down the Registry?
  27. Advice on Approaching Talent
  28. This is kinda neatish
  29. Reality TV Ideas and WGA
  30. Any business tips for writing on spec?
  31. Big Budget Tentpoles
  32. Acquiring film rights for an NPR story
  33. If you're not with UTA, CAA or WME...
  34. Producer attachment agreement
  35. YouTube May Enter Video Production
  36. Getting the rights back after option expires
  37. Rights?
  38. Animation Market
  39. Marketing Advice
  40. Holiday Schedule
  41. Fairytale Creatures and copyright...
  42. Animation question
  43. Why is animation so expensive?
  44. Execs requesting material --
  45. Does Not Accept....
  46. First studio feature.... is WRAPPED!
  47. Querying a 73 page script - yes, no, maybe so?
  48. Period Pieces
  49. Anyone have a sample of an on spec assignment agreement/contract?
  50. Is originality the new trend?
  51. Pros and Cons to a Screenwriter LLC?
  52. Offering Samples via Website or Blog?
  53. How many queries did you send out last year?
  54. Christmas Spec Scripts
  55. 2011
  56. "Marketing" scripts advice please: Hollywood vs Not Hollywood
  57. Hollywood business hours?
  58. Animation Spec Sale?????????????
  59. Converting a Screenplay to a Comic Book
  60. How to Make it in Hollywood
  61. 2010 Wrap Up by Anne Thompson
  62. Probably a silly copyright question
  63. Aaaaargh!!! Devastated....
  64. Script evaluation
  65. Producer's Reps Recommendations
  66. Protection Letter?
  67. Spec Strategy?
  68. Has screenwriting ever been your primary source of income?
  69. What would you say is currently the hottest TYPE of spec???
  70. Can I use an optioned script for a sample --
  71. Would you sell your script to anyone?
  72. Producer is interested...now what.
  73. Have you garnered interest thru coverage services?
  74. Basic Terms of Sale
  75. Producers
  76. Best Script Coverage to Generate Queries?
  77. Question for professional screenwriters only
  78. Rewritten
  79. *Question* I want to read it first.
  80. Crafty Financing Sundance Flick
  81. What exactly is an Open Writing Assignment (OWA)?
  82. PDF or through the mail
  83. What makes a concept marketable?
  84. Jumping into the water finally!
  85. True story credits
  86. I'll Give You Misleading Advice!
  87. Securing rights vs. research
  88. Remakes
  89. When will you feel you've "made it"?
  90. Long communication gaps
  91. Rights of a re-make
  92. OWA's (Open Writing Assignments) on the Tracking Boards
  93. Who the heck to query?
  94. Spec screenplays revolved around games/toys
  95. Backlash against the pros
  96. When You Know You Have The Goods....
  97. What Truly Constitutes Breaking In?
  98. Let's put another idea to rest
  99. A little inspiration......
  100. A Cautionary Tale
  101. Anybody Here....
  102. I'm moving (my family) to LA
  103. WSJ Article: Animation Nation
  104. Please don't be an idiot
  105. Web content?
  106. Asking for Notes Etiquette
  107. Brand Names in Dialogue
  108. Writing a book instead?
  109. Foreign Levies
  110. Is there anything else to know?
  111. Script for overseas
  112. Getting Your Script Read...
  113. WGA minimum for screenplay without treatment
  114. What criteria do you determine whether something is better served by TV or movie?
  115. Faith based or not faith based?
  116. Same title as another
  117. A dumb question? "Annotated" specs and examples?
  118. Taking a Spec Out
  119. Economist article: foreign viewers dominate, not American prizes
  120. Best places to "Do Lunch"?
  121. Too Many Writing Partners?
  122. The Concept Seller
  123. Scripts with Minority Characters
  124. Freelancers...how do you go about deciding how much to charge to write?
  125. Recommendations in Query Letters - Do they Matter?
  126. Idea Man or Indie Girl?
  127. Notes from a Pro
  128. Animated Script?
  129. Phone Pitch
  130. (Legal)Question about writing and shooting a short film
  131. Pro Help Please! -- Advice on a free option
  132. Success in Screenwriting without living in HW
  133. Thank you Craig Mazin...
  134. People with class
  135. Better to learn from success or failure?
  136. Will the "graying audience" have any effect on the spec market?
  137. Original vs. Adapted Screenplay
  138. Question for Derek Haas...
  139. Screenplay Release Forms
  140. Anthology Movies
  141. Web Series Copyright
  142. Question about copyright
  143. Is This "Bad Form," Too Obvious....What?
  144. Survival on specs alone?
  145. Great storytelling but not good enough in grammar. What choises do I have if any?
  146. Commercial Credit Registry?
  147. Another question about copyright
  148. Anyone Approach Investors Directly?
  149. Self-financed
  150. Is this typical?
  151. How risky is this move?
  152. Would you see a therapist for writer's block?
  153. To Cover or Not
  154. A finders fee agreement?
  155. Any reaction from the pros ...
  156. Eminem download victory: Any relevance to writer residuals?
  157. If you have a spec out right now...
  158. Huh?
  159. Demystifying "going out" with a spec
  160. Game Backend for Manager..
  161. Legalities of Non Fiction Adaptation?
  162. 5% of Producer's Net Profits
  163. I've been approached...
  164. Pros, what can I expect?
  165. Who owns the screenplay?
  166. Stop asking for, or offering, legal advice.
  167. Advice about staying in LA for just a week ...
  168. Expectations of the notes process ...
  169. Renaming/changing an optioned script?
  170. What's the value of graduate degrees in screenwriting?
  171. Life Story Deal
  172. Budgets for MOW's
  173. Would You Join In A Bum Rush...
  174. What's the deal with the copyright of 'titles'?
  175. The "A" word
  176. Would you write a sequel to your unproduced spec?
  177. Pitching An adaptation?
  178. Don't send the first script?
  179. Want To Do The Right Thing.
  180. Eggs In One Basket
  181. Production commitment
  182. no un
  183. Protocol on optioned scripts?
  184. Emma Thompson accused of "stealing movie idea"
  185. Advice about selling scripts
  186. Producer agreement?
  187. Options and such
  188. Approaching a professional writer.
  189. Submission release from Evolution Entertainment
  190. Extra-writerly activities in the UK: how to best to play it?
  191. Business Plan Sample for Independent Film
  192. Selling produced screenplays on Ebay..?
  193. How important is it that our specs create a brand or franchise?
  194. Deal pending - need advice (Pros care to chine in?)
  195. Shop agreement with a production house
  196. Any leverage? Or do I just shut up and do it?
  197. More than one writer
  198. Fox incubator project?
  199. Target demographic for Dan Brown-esque thriller?
  200. Dead celebrities' Rights to Publicity
  201. Interesting Q&A and funding proposal for Aussie feature films
  202. Thanks, Guys.
  203. How does something end up on a tracking board?
  204. $500 for a short film script?
  205. Any Aspiring Producers?
  206. Option on a book
  207. What is a "1st Act Spec Write"
  208. To the Ladies of DD...
  209. Payment of 2nd half of Sole Credit Bonus
  210. Unused Script
  211. Querying A Franchise Script
  212. Registration WGA
  213. Two Producers walk into a bar....
  214. To Contract or not to contract? Or "we're friends so don't need one" advice needed!
  215. For those who have optioned a script...
  216. Adapting a Novel
  217. What's the best approach to getting your script funded so you can direct it?
  218. Last minute panic
  219. Is it safe to send Queries to all Entities?
  220. Seeking Advice for How To Proceed With Studio/EP/Agent
  221. Changing a Title after the query-ball has started rolling?
  222. Splitting the public domain hair
  223. Reality pitches
  224. Invoices...
  225. I have a goofy name...
  226. Women: Write Like a Guy
  227. Written pitch
  228. Pre-production budget
  229. Switching Genres...
  230. Little advice for poor newbie, please
  231. Going from Screenplay to Graphic Novel
  232. Got interest from a director!
  233. Is it better to write rated R?
  234. Phone Pitch: Knees Are Knocking
  235. Just shoot it?
  236. Period horrors
  237. Submission release from Josephson Entertainment
  238. For the pro's: how long did it take?
  239. Average length for a take?
  240. Matching funds
  241. Well, will this put the "fear of God" in downloader's minds?
  242. Aussie Writer's - Quick Question
  243. Naming Characters in a written pitch?
  244. Two queries at once?
  245. Permission
  246. The Fear of Pitching
  247. Residuals Question
  248. How do you get on the Black List?
  249. Too late to send revised script?
  250. Spec Season