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  1. A Bit Of A Vent. Sorry.
  2. I own the most valuable literary I.p.
  3. Polish vs Rewrite
  4. What to do with an idea
  5. Pseudonym
  6. Too many emails
  7. Manager issues/Disconnect - Is this normal?
  8. The "Double Query"
  9. Pursuing Biopic Subjects That Are in Development
  10. Legal issues on Historical Characters
  11. Option Agreement for Short
  12. Querying In The Summer Months
  13. Pitching as a Lottery
  14. Optioning a novel question
  15. How much to charge if a producer is interested?
  16. I'm finished, how to make the next step?
  17. WGA on release forms
  18. WGA Option minimum
  19. Walking failure
  20. Did you get an email from AMPAS?
  21. At the risk of sounding naive...
  22. TV Pilot - on-spec arrangement w/producer -- question
  23. This is a sure-fire way to never having your screenplay rejected:
  24. What to do when a collaborator turns on you?
  25. Trapped down on the Spec-Farm
  26. Commencement
  27. When your script doesn’t go out wide
  28. Strategy for a new project
  29. Who Negotiates Writers as Producers?
  30. Switching Agencies
  31. WGA "No Writing Left Behind" campaign
  32. Purchase price in attachment agreement?
  33. To Live In LA
  34. Bad in a Room
  35. The waiting is the hardest part...
  36. What's the budget?
  37. Pilot vs Novel and the Author's Rights
  38. Question for the pros re: page 1 rewriting
  39. Producer backing movie
  40. Have you ever asked your manager to hire you?
  41. I have a problem with a co-writer
  42. Carrot and stick
  43. "Success"
  44. Writing short films for others
  45. Partnerships, collaboration, "great ideas," and writing for free
  46. End Of Option
  47. Creative Rights
  48. What's in a "Bio"?
  49. "Great Concept" Now What?
  50. HELP Formal Offer?
  51. BBC owns all British history or royal rights?
  52. Story Into Screenplay
  53. Firing a producer
  54. Credit
  55. Adapting scripts into a novel series
  56. Advice on Prior Relationship - New Spec
  57. Going wide
  58. Is this release okay to sign?
  59. Selling a public domain spec while another film is already in development?
  60. Cold query emails--just the logline?
  61. Release clause
  62. What about pen names?
  63. Confused about what steps to take with agencies
  64. Who should I NOT Query?
  65. Sidejobs for a freelance writer
  66. Script based on true current events?
  67. Producing a Short - Advice Needed
  68. Seeking Advice on Co-writing
  69. How do the pros end a query?
  70. What would you do here?
  71. Can WGA Writers Work for Non-Signatories Outside US?
  72. Unable to travel - Seeking advice
  73. Unpublished short story adaptation
  74. WGA mailing list
  75. WGA questions
  76. Cause for concern or just lawyer mumbo jumbo?
  77. Why are producers interested in paying me?
  78. Forgive me if this is a silly question...
  79. Turnaround questions
  80. Best course of action for book rights
  81. So here's the situation, or rather dilemma...
  82. Residuals???
  83. TV minimums
  84. Going Wide in 2019
  85. Pitch structure
  86. Best Way To Get Read
  87. Rejection/Passes...
  88. Top Showrunners in Support of Nagys' Presidency
  89. Linking up with producers early on
  90. No contract signed but producer posted my screenplay on IMDB
  91. Should we all be writing books instead?
  92. Black List 2019
  93. Biggest "I blew it" moment...?
  94. Fox Trying To Compete Against Netflix's Model?
  95. Here's a new one... -UNTILED RANT-
  96. Wga
  97. Doing well in too many contests is a red flag for reps?
  98. Copyright and who to send your script to
  99. CONTESTS: let's take a poll
  100. Parallel development and samples
  101. Ideas in the Air
  102. 3 month option deal advice
  103. Nearing completion - what's next?
  104. Hollywood = McDonalds
  105. Sample Only
  106. Maybe I'm Just Not Talented Enough...
  107. Old Shorts
  108. Gucci Gives Back
  109. Any WGA members produce own festival short?
  110. A Note about Notes
  111. Tips Thread
  112. Comedy Specs
  113. Feature or TV
  114. New Philosophy
  115. When you query ...
  116. Seeking Suggestions for What to Ask When Contacting Industry Execs Cold
  117. Non-Circumvention Agreement??
  118. Selling a pilot script on spec?
  119. Web Series
  120. Do I need an agent?
  121. Optimism: This is the best time ever to be a screenwriter
  122. Option contract question - WGA or no??
  123. Best Jobs While Waiting For The Big Break in Film
  124. How Many Members On Done Deal Are Writer - Directors?
  125. Should Aspiring Screenwriters Create a Creative Development Company
  126. Good Advice From Writers
  127. PSA To All Film Schools Students and Graduates
  128. Best Channel on YouTube
  129. Book option
  130. I Got More Meetings By Starting a Screenplay Development Company
  131. WCA Agreement gone wrong....
  132. Start an LLC?
  133. Reality TV Per-Episode Rate?
  134. Ever sold inventory?
  135. New York Is Better Than LA
  136. Packaging and Developing Your Screenplay
  137. Contest vs Query Letters
  138. Film Rights Problem
  139. Auto-BioPics Specs Sells More?
  140. Pitching Anthology Series
  141. Starting Out Questions
  142. Script publication fee
  143. Social Media?
  144. What's the scene like now?
  145. How Does Being a Writer / Director Work?
  146. How to help a directing/producing team
  147. Possible Stolen Script
  148. Can a script be produced more than once?
  149. Collaboration Agreement - Question!
  150. Yes... It is possible to Start a Career Ouside of Los Angeles
  151. Even when you have reps...
  152. Posting your spec online?
  153. E-mail address for Osgood Perkins?
  154. A Page-One Rewrite for Free??
  155. Notes from Producers
  156. An almost true story
  157. Option amount
  158. Help with possible agreement for representation
  159. Scripted Podcasts
  160. Strike implications
  161. Marketing and Distribution Strategy
  162. Writing copyrighted material
  163. Effect of the Coronavirus
  164. Force de Majeure
  165. LA Area Code...
  166. Thought on scripts being stolen and used?
  167. Can I do anything with a high placement in a screenwriting competition?
  168. Selling spec vs. selling pitch
  169. Finding a Writing Partner?
  170. Do I need a lawyer?
  171. Formatting and packaging
  172. Mini series packaging question
  173. Attachments to project
  174. Preventing unwanted changes in rewrites
  175. Arbitration on non-original scripts
  176. Offers to option quandary
  177. What to do...
  178. Offering Encouragement...
  179. Writing Partnership Termination Agreement?
  180. Sending FD doc without contract
  181. Option Question
  182. You Never Know
  183. Writer's portfolio websites
  184. Developement Notes and Chain-Of-Title
  185. Trying to get my short comedy stories produced - Input, please
  186. Made the Black List "Top List" - how can I use that?
  187. Recourse for non-WGA writer to enforce credit