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  1. "Non-exclusive" option?
  2. Direct to video or nothin'
  3. Good/Bad time for sending queries
  4. DO I NEED TO INCLUDE A RELEASE FORM?
  5. Saw
  6. Phone Pitch Questions
  7. "What other ideas do you have?"
  8. TV game show deal
  9. Verbal contracts
  10. Optioned, now what?
  11. Novelization Before Sale?
  12. Production company releases
  13. Life Story
  14. Producer showing my material without agreement
  15. Is E-Querying Agents A Good Practice?
  16. Sending out a blind query letter
  17. how much would you charge?
  18. Rights to Shakespeare's work
  19. When is the best time for a writer to vacation in L.A.?
  20. Legal Matters
  21. Creativexec...opinion please
  22. When do you copyright? Or Register?
  23. Song Characters: Copyrighted?
  24. Script Reader Jobs
  25. best temp/employment agencies
  26. Getting a Production Company to Film my Show!
  27. Novel Options
  28. Open Directing Assignments
  29. is the title "For sale by owner" trademarked?
  30. MoviePitch - All you need is a great idea?
  31. SCRIPT PAYMENT
  32. Need a question answered before I answer another...
  33. Owning Rights To A Story
  34. E-mail query letter protocol
  35. Obtaining rights to a book
  36. Long wait till producer's offer arrived
  37. notes from manager/ producer
  38. Proofreaders
  39. Screenwriting "Teacher"... advice please :-O
  40. Game
  41. Shooting myself in the foot?
  42. People at a Production Company
  43. Professorman, Managerwoman, and Producerwoman
  44. ATTACHING TALENT
  45. Script registration
  46. Exactly what is a "shopping agreement"?
  47. How long should you wait or if you should after submitting..
  48. Financial Side of THE Move - Insurance, Banks
  49. changing the name of your script
  50. Why can't this indie teen action/adventure find financing?
  51. who does the movie?
  52. Co-writing credit
  53. Who buys/assigns a script?
  54. Registering Treatments
  55. $250,000 against $1 million
  56. Length of years between original and sequel (what's max?)
  57. What does lo/no/deferred mean?
  58. Best form of treatment for sequel?
  59. question for creativeexec, et al re: business career
  60. licensing rights
  61. Leasing a billboard to get read
  62. Filing taxes!
  63. Succeeding in spite of agency reader's trashing
  64. Romantic Comedies?
  65. After you get a manager...
  66. Script creativity...fly or die!
  67. Author With Question
  68. CE and Industry types...
  69. The Myth Of Financial Risk In Hollywood
  70. Product Placement?
  71. How do I propose a re-write?
  72. Is this True...
  73. In public domain
  74. Now what?
  75. an acceptable option agreement?
  76. a good option agreement part II
  77. Gaining A Producing Credit
  78. I admit I'm still puzzled by pay-or-play deals
  79. The odds of making a living as a screenwriter
  80. Amount of screenplay copies
  81. In the past five years
  82. When should I nag my readers?
  83. The TRUTH
  84. business cards
  85. Literary Agent Conventions
  86. $3,000 dollars enough for a move to LA?
  87. Writer's credit against money
  88. Registering a short?
  89. Question for CE re volume of scripts
  90. Signed Option Deal
  91. Howard Stern Attached
  92. A person's likeness
  93. how do I query actresses?
  94. will digital media ever change the industry?
  95. query for TV?
  96. Adaptation question
  97. Follow Up Letter Advice
  98. Can a script idea be stolen?
  99. Index cards in a pitch
  100. Copyright Notice (Romanum Modo)
  101. Good entertainment attorney
  102. It can be done
  103. Directors: should I query them? If so, how?
  104. Universal's secret
  105. Dumb question of the day
  106. details of the selling process
  107. Non original script title
  108. Ready or not ready?
  109. Movie title problem
  110. Supernatural Thriller - the creepy kid factor
  111. Is $2M against $23M possible?
  112. How much do Studio's spend on marketing?
  113. My Options?
  114. Need advice about optioning a book
  115. Need advice on assignment work
  116. Screenplay Marketing Idea
  117. what to include with a query letter
  118. What do you do when your writing partner passes away...
  119. Taxes...
  120. REJECTION
  121. Script to director?
  122. What do women wear?
  123. How do I approach this situation?
  124. The Art Of Moving To L.A.
  125. Storm clouds gathering on the spec script horizon
  126. Deferred payment
  127. $ for a treatment
  128. OK, Some Questions From A Newbie!
  129. Screenwriting in NYC
  130. Sale your script, then what happens?
  131. Can you make a living working outside of the studio system?
  132. Creative Executive:
  133. Is it okay to let an agent pitch a script without a contract
  134. Be my crystal ball, guys.
  135. I have a concept for TV, but not a script...
  136. Internships
  137. Creativexec...I'm so !#@*ing fed up!
  138. script readings in LA...worth the effort to put together?
  139. New Zealand and Australian Screenwriters
  140. Screenplay cum video game?
  141. The success of Sports film Genres?
  142. Audio tracks from films
  143. Live readings of your script? After conflicting feedback
  144. How Do I Take the Opportunity While Remaining Professional?
  145. Creative Executive - question about this quote
  146. thank you cards
  147. Reality TV.
  148. How was Blair Witch promoted? The film or script wasn't....
  149. Referencing A Real Life Criminal For Realism
  150. Do studios share spec information?
  151. Option advice
  152. Industry standard for re-writes
  153. Possibly dumb question on treatments
  154. "Grabber" scripts???
  155. Ready to submit my work
  156. remake of old movie
  157. Correct Addressees for Query Letters
  158. How much to charge for a treatment?
  159. copyrighted question
  160. Reality Check for a script sale
  161. "Greenlit" on the SGA website or chasing agents
  162. Friend of a friend type of deal...
  163. contract clause
  164. Has a producer asked to read a script, & send a release?
  165. Need advice about working for no money up front
  166. copyright question
  167. film accounts
  168. Greasing the wheels...
  169. What's next?
  170. registering a spec script
  171. Movie Credits...
  172. Innovative way to sell your script... E-BAY!
  173. where can I find an example of a Letter of Intent?
  174. Why I quit screenwriting...
  175. Tracking Boards
  176. Is the western genre dead?
  177. Submitting a Script W/O Agent or Manager
  178. Revenge of the Art of Moving to L.A.
  179. No unsolicited scripts?
  180. screenplays & reality TV
  181. Questions about fest acquisitions...
  182. What to expect in "Meetings"
  183. Studio hoops
  184. Organizing a website with screenplays
  185. Writers who made it
  186. biopic question
  187. Other writing credits?
  188. Advice on set meetings
  189. advertising screenplays on craigslist
  190. Nondisclosure/Confidentiality Agreement
  191. "High Concept" vs. "Great Story"
  192. Product Placement and High Concept...
  193. For Discussion...
  194. Options?
  195. can you negotiate higher fee for an option?
  196. "Taken this project out"
  197. Production company
  198. Distributor and Advertising questions
  199. Have director on board, need producer
  200. Creative Affairs
  201. Actor Salaries?
  202. Release forms
  203. SASE?
  204. How much do you want for your script?
  205. How many rewrites?
  206. A foreigner Hollywood
  207. Clint's reading my script!
  208. e-mail versus the snail
  209. I want to work at a production company
  210. Writer's assistant questions...
  211. (Satire) Sell Your Screenplay! Ten Golden Rules
  212. A writer writes -- two years into my 'somehow'
  213. Screenplays = Wars Waged Against Time & Other Crass Thou
  214. New Tax Laws??? Filmmakers can claim 100 % deduction???
  215. Short films build writing muscles you didn't know you have
  216. A Query query: What means "brief synopsis"?
  217. Best time to visit LA this summer for meetings
  218. Is it worth writing a story you don't have the rights 2?
  219. Not just a formatting question but ...
  220. Great coverage
  221. Exclusive 30-day look?
  222. Option magazine article for short film
  223. Co-Executive Producer...
  224. A Producers first impressions
  225. WGA and British Payscale???
  226. Got the HCD, now what?
  227. biz cards
  228. What to submit to produder
  229. contacts for writers asst or prod.asst jobs?
  230. public record/domain?
  231. Do you need to get the rights if the people are deceased?
  232. "Trailerized" and script "previews"
  233. Past work with manager
  234. a little cannes help?
  235. looking for recent sales
  236. Harder to get assignments without a spec sale?
  237. Whatever Happened to the Billboard Guy?
  238. Question....
  239. Help on Non-Disclosure Agreement
  240. Beating the odds
  241. Does anyone here know a reader/analyst?
  242. Retaining Publishing & Merchandising Rights In A Deal
  243. Building a Screenplay Portfolio
  244. Seed Money/Indie Packaging Depts
  245. copyright and changes
  246. web sites
  247. industry job?
  248. A producer wants my script -- need advice re: how to proceed
  249. Meaning of "First set up"
  250. Budgeting A Film - What's Low & Too High?