PDA

View Full Version : Business Questions and Advice


Pages : 1 2 3 4 5 [6] 7 8 9 10 11 12 13 14 15 16 17 18

  1. Is This Guy Legit?
  2. Give Me Two Reasons Why A Writer Should Live In LA To Sell A Spec Script
  3. Registering with WGA
  4. Ask A Question
  5. Anything I can do with this script?
  6. Fate of movies delayed in releasing
  7. All you need to make it in Hollywood
  8. Is it safe to pitch ideas?
  9. Australian Writer's Guild Minimums
  10. Rewrite fee/deal
  11. What to put in a cover letter?
  12. Compensation for treatments.
  13. What do I leave behind?
  14. Co-writing question
  15. meeting with president of production company
  16. Beware onsite job ads, etc...
  17. Age of writers making it.
  18. "A" List strategy.
  19. thank you note after meeting
  20. An LA agent vs one where I live.
  21. Big Screen Funding...
  22. List of Studio Creative Execs
  23. Submitting a spec for an established show?
  24. Why, lady? Why?!!!!!!!!!!!!!!!!!
  25. how to proceed...?
  26. Writer Pay as a Percentage of Budget?
  27. Thank You cards
  28. Who Pays the Lawyer?
  29. The meaning of meetings
  30. ...and, get this, then he slips on a banana skin...!
  31. What's next
  32. Are Titles Copyrighted?
  33. Agent wants what?
  34. Mobile Marketing
  35. Better business decision -- Buddy or single protagonist?
  36. The Big Leap -- Moving to LA
  37. "300" B.O. and the sword-and-sandals genre - how to leverage?
  38. Writer or Producer? - a few questions...
  39. Actors hang out
  40. pay AND play?
  41. Producer has script -- How long the wait?
  42. The Big Leap to L.A.
  43. Unoriginal Ideas
  44. writer's co-op?
  45. Film by credit
  46. selling a series
  47. Question for Pro Writers
  48. Dress Code???
  49. Anyone posted this yet?
  50. Ownership of Script
  51. Foreign Movie Rights Question
  52. Market for writing Treatments?
  53. The Pointy Birds
  54. Film Investor Guarantor or Endorser Companies?
  55. option offer
  56. Biopic Question
  57. From London to Hollywood?
  58. pdf or hardcopy, what do they want?
  59. Industry Standard for % back end
  60. Reasonable offer for a book option?
  61. credits that suck
  62. To put scripts in your CV
  63. Biggest Read
  64. pro - non-pro
  65. Advice On Securing Screenplay Rights of Novel
  66. Tom Cruise on the phone for you
  67. International WGA Affiliates
  68. What is it....?
  69. I got the Creative Directory, now what?
  70. Has anyone here gotten a response from a query letter?
  71. Optioned writer without rep...
  72. Are contests worth it?
  73. Michael Ely contact help please
  74. pre-screening
  75. Basing story on actual events.
  76. HELP on options
  77. Targeting direct to DVD
  78. Question re WGA Registration
  79. Book (adaptation) option question...
  80. Pass Coverage
  81. Nightmare Job
  82. CraigsList Writing Jobs
  83. What Happens Next? A Newbie & Positive Reaction
  84. Contract
  85. The Cold Call
  86. I always wondered...
  87. A few questions...
  88. Writer's Assistant
  89. Spray Painted
  90. Getting a job as an assistant....
  91. Going rate for a TV script
  92. Paul Graham's Wise Words -not just for techies
  93. No Free Lunch
  94. Screenwriter's Self-Promotion on Yahoo!
  95. Script in "review" limbo, help!
  96. Yo-ho Heave Ho!
  97. pitfalls of this clause
  98. What exactly does a producer do?
  99. Doing Lunch
  100. Strategy Advice
  101. IRC : motion picture production
  102. In Development...?????....
  103. Make it two to make sure
  104. Someone pitched my script without my permission
  105. WGAw and WGAe -- Any Preference?
  106. I Want Your Idea
  107. giving away half of your script.
  108. Would a sale help?
  109. Another question I have...
  110. Pitching a treatment
  111. Got Millions, Got a Script...What Next?
  112. uta job list
  113. Help! settlement with well known Producer
  114. What's your minimum sale price?
  115. Adaptation
  116. Is A-list talent ALWAYS your best option?
  117. Can i do this in a meeting?
  118. What does it take to sustain a career?
  119. Casting
  120. Where did you meet?
  121. How Many Reads?
  122. Interesting: Writers calling the shots for once (kinda)
  123. Barely Legal
  124. Biz job descriptions
  125. The whole LA thang!
  126. Hired Gun
  127. Interesting Article
  128. Branding Yourself As A Screenwriter
  129. Self-Promotion Website?
  130. Working in LA?
  131. Find out the RIGHTS
  132. Male vs Female Lead
  133. Tell them about your attachments
  134. How did you get repped?
  135. Horror dead...this week
  136. querying a public domain adaptation...
  137. Questions from newbie
  138. Optioning an out of print book
  139. Current Spec Market...
  140. Making it look easy.
  141. Done Deal's Option Agreement
  142. Indy Dir/Prod wants to film my short. Now what?
  143. The elements in place are more important than the script itself
  144. Complete this scenario...
  145. Questions you'd ask a director
  146. remuneration for selling a short treatment
  147. registering script with WGA?
  148. Script read before or after the meet?
  149. Sharing Story credit. How?
  150. Blue Moon Concept -- Risks?
  151. What's The Current WGA Situation Concerning DVD Sales?
  152. Pitching - how much to tell? how long?
  153. Top 10 Myths of Screenwriting!
  154. Optioning a book -- first time...
  155. Casting" my script
  156. Hollywood Calls For End To Residules
  157. what's more valuable?
  158. Public Domain Question
  159. Query Letter Response Time
  160. Getting the script into the RIGHT HANDS
  161. come ye dastardly villians and ye moral majority
  162. A question about copyright.
  163. What about MySpace for contacting agents/managers?
  164. Scripts vs Ideas
  165. To live and write in LA... the place to be?
  166. What To Do?
  167. Dual membership - WGC/WGA?
  168. how do most screenwriters
  169. Pitching
  170. story by...
  171. Selling Out
  172. Short options.
  173. Optioning without an Agent/Manager
  174. Does a writer/director need an agent or manager?
  175. Is Forbes incompetent ?
  176. Writer's Survival Kit - Part One
  177. Writer's Survival Kit - Part Two
  178. My first contract - please help
  179. Rights to a Story
  180. Approaching Talent
  181. Selecting and Hiring an Indie Prod Company?
  182. One Pitch, One Chance
  183. A co-worker sells a script
  184. Elizabeth Buraglio at Original Film?
  185. distributors
  186. Why would an Oscar nom. writer need CraigsList?
  187. Querying by Email
  188. What Is A Good Price For A 12 Month Option
  189. Why Americans should avoid working with Canadians.
  190. A-list co-ops
  191. Done with screenplay, yet still on revisions...can I start the process?
  192. Copyright redux
  193. Option and Rewrite Question
  194. Slipping your script to a studio exec
  195. The Zanuck Company
  196. How does a writer with 'written by' credit, earn a production credit also?
  197. Life rights or story rights?
  198. Short script flat payment question
  199. Naming a purchase price
  200. 310 Area Code
  201. life story option
  202. When To Move onto the Next Script
  203. Giving A % To People Who Hook You Up
  204. Romance And Cigarettes
  205. what's in a two-picture deal?
  206. Film rights unavailable
  207. HELP! Partners At Loggerheads: To Cut or Not to Cut?
  208. IMDB Pro Company Chain
  209. How many writers from this board have been optioned?
  210. Sample Shopping Agreement
  211. Your story on film...
  212. Option Agreements. Looking for Writing Addendum Sample.
  213. Producer credits
  214. A SEX Question?
  215. If You Sign A Release Form With Benderspink, And They Copy Your Film.
  216. A "Shopper's Aggreement"
  217. Feature Writer's Deal
  218. How Many Writers Would Do This?
  219. Should I be Worried?
  220. Legal question: Remake versus update -- and rights
  221. optioning book, publisher's release
  222. Screenplay/Novel
  223. Patience is a good thing.
  224. Are all credits created equal?
  225. "Out for coverage"
  226. Does a script option or sale increase resale opportunity?
  227. Indy director with distribution deal???
  228. Strike and non-WGA writers
  229. Question on how to query for a 30min tv spec...
  230. Should I send script to actress home address???
  231. Most Sold Genre
  232. Most sought after Genre?
  233. asking for a writing credit...
  234. Long shot...but what if you had the idea first and...
  235. How do I sent a screening invite?
  236. Price for MOW script? Anyone know?
  237. latest strike info - GRIM
  238. The Strike & Animation
  239. anyone have any requests for reads this wk w/ strike looming?
  240. treatment registration
  241. Strike for NonWGA & announcement
  242. Since is a strike is looming -what about online properties?
  243. List of available directors pre-strike...
  244. WGA Strike Rules
  245. Am I a scab...
  246. My advice on the strike
  247. How will the WGA strike affect first time/unproduced writers -not members of the WGA?
  248. Filmwriters will be given respect when they get decent terms as...
  249. Author's Guild
  250. Should writerly join the WGA or not?