View Full Version : Business Questions and Advice

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  1. Quick query about queries...
  2. Should I feel guilty?
  3. My script was posted online and I don't know why
  4. Advice for the thirtysomething screenwriter
  5. Small Prodco In La Wants Script But...
  6. How likely is Idea theft?
  7. If I have to ask this question....
  8. How Much Does a Spec Screenplay Sell For?
  9. Do Contests (&which ones) Make a Difference in Your Query Letter?
  10. Coverage: Some of my scenes are "heavy-handed"?????
  11. How Do I Get The Opportunity To Pitch My Scripts?
  12. Television Spec Scripts
  13. Casting Directors - Contact
  14. Comic Book Script.
  15. Cold Call Script
  16. i like the fax
  17. Don Knots in my short script
  18. Was the Ladies Room thread locked?
  19. Specs Going Wide The 411
  20. Think The Odds In Hollywood Are Overwhelming? Look Closer.
  21. Who is Sam Bailey? I'm looking for feedback on viral marketing.
  22. What Does This Phrase Mean?
  23. Which of These Two Paths to Make a Movie are Better?
  24. what should I do?
  25. Looking for catharsis over a "Release"
  26. Wga
  27. Contacting Agents/managers and prodco by query
  28. Spec Script for Franchise
  29. Script submissions by attorneys
  30. Mention Previous Options.....?
  31. Am I pissing in the wind here?
  32. My so-called "career" in screenwriting
  33. How is this a flop?
  34. Write to become a rep
  35. The Price of a Black Eye
  36. why aren't there more mockumentaries?
  37. What do I do now that an actor likes my script...
  38. How Hard Should I Fight?
  39. writing remakes
  40. Tales of Going Out...
  41. Phone Call Meetings
  42. How much should I ask?
  43. Aspiring Writers: Worrying About What You Can Control
  44. Perks Of The Job
  45. Negotiating directly with an Production Company
  46. How Long Should I Wait?
  47. Studio poison? What makes a script 'too' political to sell?
  48. Rights/Permission for Scientific Hypothesis
  49. Buying rights to video games
  50. Aspiring Writers: Just Because you haven't 'made it' doesn't mean you suck
  51. Marvel - in house script writers wanted
  52. Curious about production budgets...
  53. Follow ups - General advice
  54. What's the most tactful / respectful way to fire your representation?
  55. From the trenches: Development professionals on the spec market
  56. Workshops, Panels, Etc.
  57. Single or Married: What's ideal for a screenwriter?
  58. Do you query a firm that doesn't accept them?
  59. Would You?
  60. Buying Environment
  61. Flagging Scam Artists?
  62. shopping agreements only...
  63. Movie Industry Booming; Why All the Cutbacks???
  64. Kim Basinger info
  65. Prequel/sequel info
  66. Notarize contracts or not?
  67. Jobs at Studios in LA
  68. Professional Readers, got a question for you..
  69. Option Offer - Advice?
  70. One Crucial Question About Concepts
  71. To Assign or to Spec
  72. Writing/Development partnership
  73. Do you guys think 2D ( hand drawn ) animation is old fashioned?
  74. Artistic/creative/legal question....
  75. Producer Likes My Concept But---
  76. hard copies v. pdfs
  77. What % here are pro/near pro/never go
  78. "What is your take"
  79. Pseudonyms
  80. What's the best way to find a co-writer on NY Times Best Seller adaptation?
  81. If you have a rep, do you still register your scripts?
  82. Coverage/Notes "Heirarchy"
  83. When to Query
  84. Re-using a dead baby
  85. Anyone Take A Crack At Raising Moneys/Producing?
  86. Heard there's a new SAG agreement.
  87. Q for those who are already represented, some inside info?
  88. Cool Aggressive Networking & Pitching- do it Until The Cows Comes Home
  89. Renting in LA
  90. How to Market Historical Drama/Biography with CG Animation
  91. Is it worth it?
  92. What Do You Do When You Hear Someone (Famous) Is Doing a Similar Script to Yours?
  93. 50k budget
  94. Target Audience & Increased Ticket Sales
  95. Use the Big Screen
  96. Queries - mention number of specs?
  97. Optioning a book..... need a primer...
  98. Adaptation of work in an anthology
  99. Interesting interview with Sony on the state of the biz & Tom Cruise Script Dr.s...
  100. Do You Have to Register w/WGA if You've Copyrighted Your Script?
  101. Movies have to be written for foreign audiences?
  102. Negative pickup. What does this mean?
  103. Student in need of some advice...
  104. Which producer owns the screenplay/project when a sale goes down?
  105. Help on Pitching Foreign Creative Content
  106. TV Jobs/Writer's PA
  107. Question for Readers --
  108. Putting "Competition Winner" in the subject of an email
  109. Brief Summary of Theme or Plot (Submission Forms)
  110. Francis Ford Coppola Predicts Screenwriting/filmmaking for YouTube Generation
  111. Let's get dumb!
  112. How would a 'nobody' with 'A' list attachments proceed?
  113. How can I best capitalize on this?
  114. What Does Co-Production agreement mean
  115. Who's coverage is most respected?
  116. How Much Can You Sell a Low Budget Indie For?
  117. Script requests
  118. Read requests time frame
  119. Pitching Workshop
  120. Patriotic screenplays?
  121. Spec Script Question
  122. Writing/Movies and Addiction...
  123. Tom Cruise doing my movie without me
  124. United States writer optioned oversees?
  125. How big is "The Club"?
  126. How do you protect a pitch ?
  127. The current spec market
  128. Query campaign size
  129. Taking Out a Script - A to Z
  130. Best Resources/Plan for When Script Is Done?
  131. Submissions vs. Material
  132. Where's the problem?
  133. Should I give a producer more time to renew an expired option?
  134. Rights Permissions Help
  135. Adapting a book, but not having an agent
  136. Script Shark's Lee Zahavi Jessup Interviewed - An Eye Opener and Informative
  137. Next TV season: going comedy and SF
  138. Do the Math
  139. Sample Film Budget
  140. Gibson's "Passion of the Christ" settlement
  141. Actors with huge age flexibility
  142. Option, web series!
  143. Travel costs.
  144. Interviewing experts for your script / protection
  145. Hired by non-sig
  146. Question regarding an option/ rewrites...
  147. Friend wants me to write him a feature
  148. WGA deal questions
  149. Spinning B attachments into something good
  150. Movie rights
  151. Sometimes out of town managers *do* have studio contacts
  152. Writers With Blogs
  153. Pitching B,C,D-list Celebrities. Respecfully.
  154. United Kingdom Travel Restrictions
  155. Page one re-write
  156. Agent/Lawyer questions
  157. Collaboration
  158. Have producer attached on one project, but don't want them to read anything else
  159. NDA Question: Please Advise.
  160. Number the Seasons
  161. Screenwriter Consortium Business Plan
  162. What are "stage payments"?
  163. Spec Films vs. "Concept" Films
  164. Best times to query?
  165. Setting up a website
  166. Logline and Treatment Request
  167. Does being great/good-looking help a writer?
  168. Blockbuster Inc.chains, verge of declaring Bankruptcy: "The Times They Are A-Changin"
  169. Kidnapping genre
  170. Registering The Screenplay
  171. What's my next move?
  172. Studio financing
  173. Agency Financing question
  174. "TheWB.com: Big media's beacon of hope?"
  175. Better to have a male protag?
  176. Advice on getting a reader job
  177. ScriptChimp -- is this a good name for a covearge business
  178. Can I request advice -- Via PM?
  179. French Cinema attendance up 23% -- You ever send a query letter to France?
  180. More DD'ers repped and going wide?
  181. Always be ready
  182. Another NDA question.
  183. Screenwriter Situation#1 (SS1) -- What would you do in his shoes?
  184. Producers and studios - what they want
  185. Parlaying an option into bigger things
  186. Deal Help
  187. Help in Understanding Deal -
  188. Maybe *the* best screenwriting advice you'll ever read
  189. Disney Channel Original Movies
  190. How many spec scripts needed to establish yourself?
  191. Quitting the game and making the film myself?
  192. And like it was bleak enough...
  193. Directing - Short versus Feature
  194. Would this Lindsay Lohan latest News make a Great Script ?Scotland Yard Is after her
  195. Assignments
  196. Is Direct To Video Dead????
  197. Contract help
  198. Statistics - 65,000 Aspiring Screenwriter Per Year in L.A.? Is This Correct?
  199. Gangster/Mafia scripts, Studios love them but they're not respected by some! WHY?
  200. Cell phones with L.A. area codes for out of state writers
  201. Can a Political Screenplay Change The World. I Cry from the inside when I watch CNN
  202. When Interviewing A Professional Screenwriter? Are you up to it? Do you get nervous?
  203. Comic to Film Adaptation Prices
  204. Dress Code For Upcoming and Aspiring Screenwriters???
  205. Packaging through Craigslist
  206. Are You Sick & Tired Of These boring High Concept Scripts/Films?
  207. Helping Develop TV Series - How Much To Ask For?
  208. How taking a script to market works these days?
  209. Tv Sitcom Pilot... Creator Vs. Writer?
  210. Producer Wants A Screenplay with an 'Art-house feel to it"?????
  211. Who has the rights??
  212. Is this kosher?
  213. Querying - Hotmail vs. Gmail
  214. Accidental business "networking" is often a solid career promoter
  215. Co-writers: who gets the credit?
  216. What would you ask for?
  217. Sending a script to a bigshot
  218. Script cost as a percentage of budget?
  219. Any success in . . .
  220. Posting free short screenplays for indie filmmakers to use online?
  221. How would you define, "packaging?"
  222. Would you tell the actors if you hated their movies?
  223. Attaching an Element... Letter of Intent
  224. "Don't write a schizophrenic script". Now I affraid about submitting my script!
  225. Would you read critic reviews of movies produced, written or directed by you?
  226. Dealing with a writing partnership breakup
  227. How long before you follow up with a producer?
  228. Contract for an editor???
  229. "The Thrill is Gone" -- Does Not Apply To Me...
  230. B actor pay - Just curious
  231. Real people as characters in fictional stories
  232. Is the art of storytelling an endangered animal?
  233. What is a "great" script?
  234. As the Hollywood machine abandons L.A., its supporting workers struggle
  235. The Future of the Spec Market
  236. Is There A Market For Another 'TOP GUN'-like movie, no more IRON EAGLE films...
  237. New writers just don't sell TV series pilots...
  238. Script sale for $1 and a percentage of the gross?
  239. Career Path
  240. Marvel Writing Program
  241. Your thoughts, please.
  242. Rights to stories
  243. Would You Write A Script For Free? Have You? Why Not?
  244. Have You Noticed? Responses To Queries Have Gone WAY DOWN...
  245. Take a crappy assignment?
  246. Would you put up the budget for your own movie?
  247. Do's & Don'ts While Pitching Your Screenplay-on YouTube
  248. Anime from Japan into Screenplays -- Is this A Good Long-Term Trend?
  249. The State of the Business
  250. What are the odds, again, so I can tell people?