hey all--
so I have an idea for a feature that I have been "soft pitching". I'd be writing it to direct. ideally I would like to collaborate with a writer from the country the story takes place in.
a producer and his partner want to help develop it and offered to assist in finding said writer.
we are already working on another project together. I like them.
what are the pros/cons of going down this road so early?
my agent seemed ambivalent and somewhat concerned that I wouldn't have my pick of an uber-producer if I end up writing a really good script. But then again, Uber-producers sometimes don't have the drive of people still out the prove themselves...
so I have an idea for a feature that I have been "soft pitching". I'd be writing it to direct. ideally I would like to collaborate with a writer from the country the story takes place in.
a producer and his partner want to help develop it and offered to assist in finding said writer.
we are already working on another project together. I like them.
what are the pros/cons of going down this road so early?
my agent seemed ambivalent and somewhat concerned that I wouldn't have my pick of an uber-producer if I end up writing a really good script. But then again, Uber-producers sometimes don't have the drive of people still out the prove themselves...
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