I'd had reads and then phone calls about the script from top agents at the big 3, and top producers... all from cold email queries (directly from the person or their assistant).
If the logline is great, you've got a shot.
Originally Posted by keithcalder
I know there are a lot of these threads here about various companies. But what do you guys honestly think is going to come from cold-emailing Jon Jashni or Thomas Tull? I mean, do you really think they have time to read a blind submission even if they are intrigued by an unsolicited pitch email? I don't have time to do that, and I'm far less busy than these guys.
I don't mean to be overly negative. I'm just trying to figure out what the end-game is here with tracking down Thomas Tull's email address. It's a bit like trying to email demo songs to Adele.