I remember listening to a Scriptnotes episode about WGA writers writing for international productions outside of WGA auspices and WGA trying to do something about that.
Do you know how does that look like? It's now become of my utmost interest, as I can become a current member, but most of my work is for non-signatories because I live in Europe.
Do you know how does that look like? It's now become of my utmost interest, as I can become a current member, but most of my work is for non-signatories because I live in Europe.
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