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#1 |
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Member
Join Date: May 2007
Posts: 983
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I have a screenplay based on a true story; I own the story and screenplay rights. A producer has been trying to set it up, but she's taking forever making submissions. She makes one submission at a time; the last company took three months to respond (with a pass). There are some other issues I have with this producer, so it may be that we'll be parting ways and I'll be making submissions on my own.
My belief is that I should query several companies at once. If I'm lucky enough to get interest from more than one party, so be it. I can decide which deal is better at that time. Of course, agents go wide with material all the time, but that's a completely different situation in that they usually have relationships with those producers/studios. I'm wondering what you guys do when you're querying/submitting on your own -- without an agent. Do you use a shotgun approach? Or select just a few at a time to target? Keep in mind that this is a low budget (faith-based) drama. The fact that it's based on a true story and has received lots of media attention gives me hope that people will be receptive. |
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#2 |
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Member
Join Date: Sep 2009
Location: Los Angeles
Posts: 1,193
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What kind of submissions is the producer making? Is she sending it to production companies, investors, mini-studios?
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#3 |
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Member
Join Date: May 2007
Posts: 983
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One submission was to a cable network/company; the other I know of was to a private investor. I would be approaching producers and private investors.
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#4 |
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User
Join Date: Jan 2007
Posts: 7,211
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one at a time would drive me crazy... esp since it can take so long waiting for a pass.
there are a few companies actively seeking faith-based scripts. maybe you can research these and suggest them to your manager. you can start here: http://kairosprize.com/kp/index.html see if they have any sponsors you can query and check out the movies they have and see what production companies made them |
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#5 |
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Member
Join Date: Sep 2009
Location: Los Angeles
Posts: 1,193
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It sounds like the producer either isn't very good at her job or isn't very interested in the project.
In either case, get out from under her in whatever way you can. Seek out producers. Investors aren't interested in projects unless there's a producer. You need someone who will wake up every morning thinking about how to make your movie. You need someone who will beat down every door and go to every festival and talk to every person, who will pitch the movie ten times before lunch. |
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#6 |
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Member
Join Date: May 2007
Posts: 983
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Thanks for your comments; I agree. And the producer is definitely interested. In fact, just this morning she emailed the subject of the story and said she wants to chat -- and exclude me from the conversation. But I own the story and screenplay rights -- and the subject and I are very close. Another snake producer. Looks like an entertainment attorney might be my next stop.
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#7 | |
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Member
Join Date: Oct 2010
Posts: 1,388
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Quote:
BTW, does this mean you won't work with that producer or that you'll still consider it but wear protective gear? |
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#8 |
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Member
Join Date: Nov 2005
Posts: 2,968
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what a snake. why does it pain some people so bad to just be honest????
__________________
One must be fearless and tenacious when pursuing their dreams. If you don’t, regret will be your reward. |
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#9 | |
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Member
Join Date: Jan 2010
Location: London, Canada
Posts: 1,255
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I wouldn't worry much, until the option renewal date gets near.
You got an option, right? Not going by: Quote:
The glacial pace of events in this business is the thing that absolutely bothers me the most. ![]() It helps if you have a few screenplay projects in the works, at different levels (outlining, final drafting, initial querying), because otherwise the waiting is unnerving. Then, when it crosses your mind, "Hey, I wonder what so and so is doing with that script I sent them?", you can check your database and see that it's been four weeks. Time for a follow-up! Yippee! |
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