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#11 |
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Regular
Join Date: Aug 2009
Posts: 386
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Back on this specific forum's topic....
What I found interesting in the Garant/Lennon book re: "Writing Movies For Fun And Profit" was that their software selection -- and it was truly BOLDED OUT -- was Final Draft. I mean, they were all over it with recommendations. After seeing the truly intuitive and more importantly innovative productivity tools seamlessly incorporated into Movie Magic -- I don't get why these kings of pragmatism would go with Final Draft. Unless, that's the point, everyone's "more secure" with it than MM so don't create unnecessary export/import problems. (....and of course there already is an extensive DDP thread on those points.) |
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#12 |
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Administrator
Join Date: Jul 2005
Posts: 3,113
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Both Final Draft and Screenwriter have their strengths and their weaknesses. I could run through some of these, but it would be pointless. Both programs get the job done.
__________________
"The fact that you have seen professionals write poorly is no reason for you to imitate them." — ComicBent. |
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#13 |
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Regular
Join Date: Apr 2006
Location: San Francisco Area
Posts: 262
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What's to question? Everyone already knows the top two people to go to for script notes, and there's a whole encyclopedia of all things Final Draft & MMS already listed.
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