Here's the story:
I have been corresponding with someone at Miramax
(in their London office, actually). She made an exception
and asked to read my script. Got a letter from her, and
she said a lot of very positive things but didn't make
an offer. She did say that she'd like me to call her if
I can get a director/producer attached.
I actually know of a legit producer/director who is interested.
But if it doesn't work out with this guy, I am not sure how
to approach anyone else. There's no firm offer, no contract,
just an expressed interest. Not sure if I can get anything
out of this or not. I tend to just move on to the next
project or producer, but I don't want to shut the door
completely on this.
I'm not making any assumptions or getting excited, because
this is not a real deal, and may not become one. Her comments were very flattering and nice, but there you go.
Any input would be appreciated,
Robynn
I have been corresponding with someone at Miramax
(in their London office, actually). She made an exception
and asked to read my script. Got a letter from her, and
she said a lot of very positive things but didn't make
an offer. She did say that she'd like me to call her if
I can get a director/producer attached.
I actually know of a legit producer/director who is interested.
But if it doesn't work out with this guy, I am not sure how
to approach anyone else. There's no firm offer, no contract,
just an expressed interest. Not sure if I can get anything
out of this or not. I tend to just move on to the next
project or producer, but I don't want to shut the door
completely on this.
I'm not making any assumptions or getting excited, because
this is not a real deal, and may not become one. Her comments were very flattering and nice, but there you go.
Any input would be appreciated,
Robynn
Comment