|02-22-2020, 07:01 AM||#1|
Join Date: Jan 2007
Our first agent wasnít very good. When David Isaacs and I were starting out, writing spec scripts, living on Kraft macaroni, and trying to break in we managed to get an agent. She was a legitimate WGA signatory but she wasnít top tier. She wasnít third tier. But shows would accept her submissions, which was all we really needed.
Several days later he responded. It was a rejection letter. The opening sentence was:
HOW DARE YOU!
He then went on for three paragraphs to rip her a new ******* for questioning his integrity and accusing him of shirking his responsibilities.
Almost as an afterthought, he finally got to our script in the fourth paragraph and basically said it was a complete amateurish piece of **** (although I donít think he put it that nicely).
Years later we worked together on CHEERS and I mentioned the letter. David being David, he said, ďWell, Iím sure it was a piece of ****.Ē
Iím also sure he was right.
You wonít be surprised to learn that once we got our first assignment (that this agent had nothing to do with), we moved on to more reputable representation.
In my career, Iíve been on the other side numerous times. Iíve been the one reading and judging. I always write nice rejection letters, even if the script sucks eggs. I feel that good, bad, or indifferent, the person (or team) went to the effort of writing a script and the least I could do is let them down easy.
Plus, whoís to say Iím always right? Iím not. Along the way, Iíve rejected a few great people who went on to long and successful careers. When a writer friend of mine was story editor on ARCHIE BUNKERíS PLACE he rejected a script by the Coen Brothers. It happens to all of us.
So when you get rejected Ė and we all do Ė take heart. You never know whoís going to turn out to be an A-lister.
Good luck and may you become who you hope to be.