Re: Imagine-Impact boot camp
i finished Ron Howard's MasterClass recently an am going back over the courses now. i bought the ALL ACCESS pass for a year at half price and i will tell you that knowing how and why Ron Howard responds to material was very informative and is helpful, imo, with respect to what kind of stories he becomes invested in.
he has a checklist that he goes through when deciding on a script. i have also watched Jodi Foster's MasterClass which was good as well. working through Shona Rhimes now and went through Aaron Sorkins last year.
i am learning valuable lessons on filmmaking that will help me a lot in the decisions i make as a writer.
the AS MasterClass so far was the least enlightening, but i love his work, so i plan to go through all the writing MasterClasses and also Ramsey Gordon's when i'm done. the all access pass is well worth the $.
Shonda Rhimes is really good for pilots and showrunning. her lessons have really helped me understanding the "color coding" process for the different storylines.
i think the writer and story have to be firing a lot of pistons to be considered by the Impact team, that's just my opinion, which means they want to feel that it is 1) commercial and 2) will have a good chance of appealing to the marketplace.
i think anyone who has an amazing story, can write fast under pressure and has strong writing skills/talent has a chance.
Originally posted by Friday
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he has a checklist that he goes through when deciding on a script. i have also watched Jodi Foster's MasterClass which was good as well. working through Shona Rhimes now and went through Aaron Sorkins last year.
i am learning valuable lessons on filmmaking that will help me a lot in the decisions i make as a writer.
the AS MasterClass so far was the least enlightening, but i love his work, so i plan to go through all the writing MasterClasses and also Ramsey Gordon's when i'm done. the all access pass is well worth the $.
Shonda Rhimes is really good for pilots and showrunning. her lessons have really helped me understanding the "color coding" process for the different storylines.
i think the writer and story have to be firing a lot of pistons to be considered by the Impact team, that's just my opinion, which means they want to feel that it is 1) commercial and 2) will have a good chance of appealing to the marketplace.
i think anyone who has an amazing story, can write fast under pressure and has strong writing skills/talent has a chance.
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