Managers and Development

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  • Re: Managers and Development

    Originally posted by JeffLowell View Post
    Yes?

    Maybe I'm ignorant on how managers are operating with new writers now, but my understanding was always that they take on people where they'd be proud to show their work around, get them meetings, put them up for jobs, etc.

    Why are managers taking on people where they're not willing to show any of their writing to anyone?

    This paradigm of "manager as finishing school" is an odd one to me. Although, if that's the way it's working now, I can see why some take on so many clients - they're gambling that a percentage of clients they take on will eventually produce something worth sending out.

    It feels like getting engaged to twenty women while you figure out who actually would make the best wife. That's a good deal for the man... not so much for the woman.
    Jeff, you hit the nail on the head. If I'm running a management firm, and I see managers in the firm spending a year or more with writers and not taking anything out, I'd have to wonder about their judgment and the amount of "firm" time they are wasting with unproductive work.

    While the writer's time is not costing the firm direct cash flow, it is eating away at hours that could be used getting something placed.

    Exceptions to any rule, and, sure, there is a reasonable amount of time a manager could spend polishing up a writer, but a year of nothing seems more like rough grinding, not polishing.

    And as Perpetually says, leaves the writer demoralized, too.

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    • Re: Managers and Development

      Originally posted by michaelb View Post
      If I sign a client off a script, you can be 100% sure I am sending that script out.
      THIS is first and foremost, in my mind, and the kind of statement I'd think every writer would want his manager to make. There may be subsequent disagreements about new script ideas, sure; and I actually think it's good policy to get your manager to sign off on future projects before you start them. But, to me, unless a serious, previously unforeseen obstacle arises, that first script -- the one that got you signed -- HAS to go out. It may need a little work (targeted revisions, not changing it into something else); but if I'm the writer in that situation, above all else, I need my manager to have faith in that script, and be willing to take a shot with it, or else I'd have to question why he wanted to sign me in the first place.

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      • Re: Managers and Development

        Originally posted by Aspirant View Post
        THIS is first and foremost, in my mind, and the kind of statement I'd think every writer would want his manager to make. There may be subsequent disagreements about new script ideas, sure; and I actually think it's good policy to get your manager to sign off on future projects before you start them. But, to me, unless a serious, previously unforeseen obstacle arises, that first script -- the one that got you signed -- HAS to go out. It may need a little work (targeted revisions, not changing it into something else); but if I'm the writer in that situation, above all else, I need my manager to have faith in that script, and be willing to take a shot with it, or else I'd have to question why he wanted to sign me in the first place.
        Perfectly said.

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        • Re: Managers and Development

          This is why some writers prefer to query producers directly. If a DOD or CE wants to read your script, at least you can realistically believe it's because they're attracted to the concept and think it migh be the kind of film they're looking to produce, as opposed to "this is a writer I can see myself asking for homework assignments and ideas for the next 18 months before we possibly perhaps maybe develop something that I might possibly perhaps maybe want to take to market." There have been so many horror stories with reps on this board, to me it's been an enlightening experience reading about them. Too many writers seem to be all too willing to put up with too much crap.

          I realize we're supposed to be thinking about the big picture and our chance to be the 12th writer on some lame ass franchise, but to have the passion we put into our original ideas and specs thwarted by some middle-man (with no money), to me that goes against the creative process and the reason most of us write in the first place.

          I say hip-pocket the reps! You want me to write another horror when I feel like writing a comedy? Well then let someone else rep it. Wait, you don't "approve" of my indie flick, well guess what, I know someone else who loves it. Etc.

          Well, it's a nice thought anyway.

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          • Re: Managers and Development

            Originally posted by Rantanplan View Post
            I say hip-pocket the reps! You want me to write another horror when I feel like writing a comedy? Well then let someone else rep it. Wait, you don't "approve" of my indie flick, well guess what, I know someone else who loves it. Etc. Well, it's a nice thought anyway.
            I understand this sentiment, but the key words here are "someone else." Someone else who loves all your material as much as you do and is willing to do exactly what you want is not easy to find, unfortunately.

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            • Re: Managers and Development

              Just a little update. My writing partner and I e-mailed our manager last night with some of the concerns we had after the discussion on this thread. She responded back letting us know all the places our pilot has gone since we turned in our latest draft of the bible last week. Calmed our concerns quite a bit. I guess our biggest lesson is to keep tabs on our manager and what she's doing. Don't be bashful about sending questions.

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              • Re: Managers and Development

                Originally posted by UnequalProductions View Post
                Just a little update. My writing partner and I e-mailed our manager last night with some of the concerns we had after the discussion on this thread. She responded back letting us know all the places our pilot has gone since we turned in our latest draft of the bible last week. Calmed our concerns quite a bit. I guess our biggest lesson is to keep tabs on our manager and what she's doing. Don't be bashful about sending questions.
                Good update. Sounds like you did the right thing and got the reassurance you needed. Best of luck.

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                • Re: Managers and Development

                  Deleted.
                  Last edited by DickDaring; 02-28-2013, 05:32 AM.

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                  • Re: Managers and Development

                    Originally posted by JeffLowell View Post
                    Absolutely! And most new writers who sign with a manager will polish an existing script or finish up a spec they're working on...

                    But to me - and again, maybe I'm out of touch - that's different than "I can't show anything you've done, that excited me and made me represent you in the first place, to the town. Now let's start fresh. Pitch me ideas until I like one, and then rewrite a script until I'm happy, and maybe even then I don't take it out and we start again until you get frustrated and quit."
                    The very definition of spec farms - which seems to be the norm, not the exception, these days.
                    "Do just once what others say you can't do, and you will never pay attention to their limitations again." -[/SIZE] James R. Cook

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                    • Re: Managers and Development

                      Originally posted by JoJo View Post
                      The very definition of spec farms - which seems to be the norm, not the exception, these days.
                      I don't think that's true. The actions of a minority shouldn't soil the reputation of the majority. Most are not trying to fvck with you, IMO.

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                      • Re: Managers and Development

                        Originally posted by ATB View Post
                        I don't think that's true. The actions of a minority shouldn't soil the reputation of the majority. Most are not trying to fvck with you, IMO.
                        Using terms like "majority" or "minority" in this case might seem misleading as those words imply they are based on factual information. As stated in the post, this is simply an opinion based on one's own personal experience.

                        Based on another person's experience, maybe "most" seem like they are trying to fvck the writers over.

                        Those spec farms prefer writers who can't see or refuse to see what is really going on while they're getting shafted. Just because the writer isn't knowledgeable enough about the business to see themselves being shafted, doesn't mean it isn't happening.

                        "majority" or 'minority" good guys bad guys of management companies is tough to determine without someone doing a fact based study (maybe comparing manager-as-producer's "producer fee" vs how much they negotiate for their writer client on the deal).

                        If a writer gets shafted by management company even ONE TIME, that's one time too many.

                        A writer I knew had a bad experience. I know for a fact that it happened because I saw the paperwork/contracts, messages etc. So at least one time in the history of Hollywood, a manager who produces, got the studio to agree to a price to purchase their client's script. The studio agreed the script was worth $800k to them. So the writer's manger was ecstatic and went back to the writer and said the studio will pay you $300k. The other $500k was the manager's "producer fee", which they didn't mention to the writer, but through her contacts in the industry, she found out later. During the deal, the writer had no idea about the 800k the studio was willing to pay for script because she wasn't "in the room", she was trusting her "manager", who always looked out for his own interests first. Then after hijacking the writer's payday for 500k, the manager then graciously agreed not to commission her measly(in comparison) 300k. How big of them (management company)? But then the writer's agent screamed foul to the manager because he worked on commission alone and would rather have their client get the full 800k the studio agreed to. So the agent agreed not to tell the writer about the 800k as long as he(agent) got to represent the manager-as-producer in this deal so that he could commission the manger's 500k "producer fee" as well and get his full 800k commission. All of these decision were made obviously without the writer in the room. The writer was so happy she had a "team" working for her and 300k sale. Truth is the "team" was working for their interests first not the writer's and then they tried to make the writer feel better by "not commissioning" the crumbs they left for the writer, who did all the writing. Gee, thanks, right?

                        Because this writer had worked for years on the other side of the table as a manager's assistant, she had contacts around town and was able to find out what really happened behind closed doors when her "team" was supposed to be working for her. The Manager-attached-as-Producer allowed these vultures to do the very thing the wga tried to stop from happening by forbidding writer's reps (agents) from producing. The agent in this case went along as long as he got his full commission by repping the manager in his deal. That particular agent is no long an agent in this industry. He's now a manager who also produces. I guess working both side of the table as manager/producer better fits with his personal morals/ethics.

                        -Will this happen with you with your rep? Hopefully not. But just knowing that it has happened in the past and can still happen is a good thing to know.

                        -Does this happen all the time? Maybe. Maybe not. But the fact that it happened at least ONCE is a major problem because it can happen again. The fact that it is even possible is a major problem. What made it possible? WRITER'S REPS (MANAGERS) WHO ALSO PRODUCE! Big no no, otherwise wga would let agents do the same thing.

                        -Does your manager/producer sometimes have the writer's same agency rep him/her on their "producer fee" deal? Bad sign of agent attempting to collect his "full" commission.

                        If you(writer) are never "in the room" because you have these "trusted" managers in there "fighting for you"(cough), how do you know how much the studio is REALLY willing to pay for your script? You don't. Therefore it would probably be better to make sure EVERYONE in there "fighting for you" is working on commission only! Then their own greed works in your favor.

                        -How much does your manager make in "producer fee" when they attach to one of your projects? Is it WAY MORE than the commission you would have paid them for repping you on that sale?

                        -Trust money, not people who lie for a living. Is your manager going to work harder to get you a higher payment for your script or work harder to give himself a higher "producer fee"? A "producer fee" that is much higher than any commission they would have earned from you and is possibly cut out of monies studio was willing to pay for script?

                        -If you're not "in the room", who can you trust? Someone trying to get paid on both sides of the table(manager/producer) or someone who works on commission only (agent/lawyer)?

                        Solution: Anyone working on your behalf, needs to work on commission only (the way it used to be). Remember, this is Hollywood. Based on years of reputation, most of the business players are not "nice guys" with high morals, though they put on a friendly face. If they can cut a side deal, lowering your pay and increasing their own, chances are they will, based on the experiences of real people I know.

                        *This is posted for informational purposes only, so there is no need for personal attacks. Obviously I can't provide real names, so if you require that kind of proof, simply dismiss this as a figment of my imagination. peace.*

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                        • Re: Managers and Development

                          I heard, and I know this is only anecdotal and isn't proof and I'm obviously not going to give out names...but I heard that a manager did right by the writer.

                          Hey, don't shoot me, I'm just the messenger, and I'm just telling you what I heard from a friend of a friend, but it happened at least once that I know of. Maybe it's happened lots of times, maybe not...but it's gotta make you think, right? I mean, do you really want to be put in that kind of position?

                          HH

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                          • Re: Managers and Development

                            Threads like these are depressing, like Eddie Murphy's career.

                            And they make you paranoid.

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                            • Re: Managers and Development

                              There are plenty of fantastic managers out there. If you get stuck with a bad one, just bail and find someone else.

                              Not everyone is out to get you. Most people are just out to help themselves. And that's what you want out of a manager, since they get paid when you do.
                              QUESTICLES -- It's about balls on a mission.

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                              • Re: Managers and Development

                                Is there a website/thread where the 'bad' managers are blacklisted?

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