This is probably a question I should have posted before now... (But I want to keep my opinion out of it anyway.) I would love any feedback from either side of this question, though!
Are pitch fests (by whatever name) worthwhile? Either for writers or for reps or producers? My very minimal observation is that the people being pitched to are having to soak up dozens and dozens of (potentially terrible) pitches in a really short period of time. I feel like you could go in there and pitch Casablanca and everyone would say no just so they don't have to listen to another (potentially terrible) pitch.
I'm sure some events are of a higher quality than others and, in theory, it should attract the most dedicated writers (who can afford it) and the most willing professionals to attend. But does that theory work out in reality? I mean, dedication doesn't always equal quality. And even the most willing listener might really want to tune out after a zillion undeveloped or amateurish pitches...?
(Apologies if this has been asked elsewhere, but I couldn't find a similar thread.)
Are pitch fests (by whatever name) worthwhile? Either for writers or for reps or producers? My very minimal observation is that the people being pitched to are having to soak up dozens and dozens of (potentially terrible) pitches in a really short period of time. I feel like you could go in there and pitch Casablanca and everyone would say no just so they don't have to listen to another (potentially terrible) pitch.
I'm sure some events are of a higher quality than others and, in theory, it should attract the most dedicated writers (who can afford it) and the most willing professionals to attend. But does that theory work out in reality? I mean, dedication doesn't always equal quality. And even the most willing listener might really want to tune out after a zillion undeveloped or amateurish pitches...?
(Apologies if this has been asked elsewhere, but I couldn't find a similar thread.)
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