The New Black List

[cshel]

Originally Posted by NoirDigits

A writer's ability (or inability) to craft a concise and intriguing logline is probably a good indicator of their overall talent.

Ham's experience with one of his scripts, that he shared earlier in this thread, is one good example that this isn't necessarily always the case.

[FoxHound]

Originally Posted by Hamboogul

A Wednesday query email to a manager who NEVER reads query emails. But that week, the manager agreed to promote his assistant to junior manager. And feeling empowered, this not-yet-junior manager went through the trash bin of his boss's email box. And the not-yet-manager confessed that he noticed my query email because he's Korean and my name is Korean. And he requested the script because the logline felt promising.

So what you're saying is that the only chance I'll ever get for a read is if some immigrant Serbian rookie manager at Benderspink named Djokovic rummages through his boss's trash?

-- I am so screwed.

[JoeNYC]

NoirDigits says, “A writer’s ability (or inability) to craft a concise and intriguing logline is probably a good indicator of their overall talent.”

-- This is true. If the logline is an overwritten, meandering, mess of confusion, then most likely anyone will believe the script is the same way and move on.

I suggest for a writer to workshop his logline before he posts it -- and this being after you workshop your script.

I believe with just the loglines being posted it’s gonna be about the commercial aspect on deciding on whether or not to proceed and not the writing, so for a writer with a non-commercial concept, or a low concept looking for an agent or manager they’re gonna need help by way of getting solid coverage on their script in order to get attention.

[BattleDolphinZero]

Good loglines are almost impossible for me. I let MichaelB come up with mine.

[BattleDolphinZero]

Originally Posted by ATB

How is this a problem?

If it is a problem, then it's a problem. Loglines are not scripts. Loglines suck. And good loglines are often lies. A well executed script means there is a talented writer. If there is a system that is slanted towards loglines, that is inverse of where the slant should be, no?

I have no idea if this system is slanted towards loglines. I like that there are legit people involved and it's cheap.

[NoirDigits]

Originally Posted by FoxHound

If this were true, then why do agents reject 95% of the scripts they request off a cold query?

A good logline = a good script? Only 5% of the time.

I wasn't suggesting a good logline = a good script. I was suggesting that a bad logline probably equals a bad script. If a writer can't handle one or two sentences, why would you request 120 odd pages of their work? If "95%" of requested screenplays are rejected, do you think the number of rejections would increase or decrease if every queried screenplay was requested and read? Assuming that we've discovered time travel and reading every script has suddenly become fiscally possible.

Originally Posted by cshel

Ham's experience with one of his scripts, that he shared earlier in this thread, is one good example that this isn't necessarily always the case.

If I'm understanding right, the junior manager that found his logline felt it was promising. So it's safe to say that Ham wrote a good logline. Thankfully he also had a bit of luck on his side. But look, of course I realize there are exceptions. I'm sure there are probably brilliantly executed scripts out there with concepts that are hard to condense. I wasn't suggesting that the logline was infallible. I just think it makes way more sense than agents and managers blindly reading every screenplay sent to them.

[Knaight]

Originally Posted by FoxHound

So what you're saying is that the only chance I'll ever get for a read is if some immigrant Serbian rookie manager at Benderspink named Djokovic rummages through his boss's trash?

-- I am so screwed.

Actually, first you have to have that amazing script that everyone wants to read. Hamboogul's script has papered the entire town at this point, and the potential for it to do that was the reason that rookie manager got so excited about it.

If you've got that amazing script...

Very few managers read queries. Just about every time you get a read in the query game, there's a bit of luck involved. Most reps have a strong enough clientele that they're not actively looking. They put most of their time into selling what they already have, rather than looking for new material to sell. When they are looking, they've often got an ocean of strong referrals made by people they trust. My manager actually does read queries, but he only requests one script per week -- if that. Considering how many queries he gets...

There are a few things you can do to increase your chances. Keep your query lean, have an amazing logline. Query enough (reputable) managers, and you will probably get a hit or two. Sometimes it's a hungry junior who takes a chance on you, and sometimes it's because you happened to e-mail the manager at the exact moment they opened their inbox. Just keep at it.

I landed my manager with a query. Every success I've had has stemmed from that one e-mail. Granted, that was the second e-mail I sent him. In two weeks. Because he never responded to the first one. I switched out the subject line, changed up the query a bit, and went for round two. And then, when he read the script and showed some interest, I hounded him for a meeting. When I finally got it, he signed me on the spot.

Be aggressive, and keep at it.

Staying on topic, I think the New Blacklist will probably work in a similar fashion. Again, most reps already have a strong client list and a ton of referrals. Any time you get a read from this service, a little luck will probably be necessary. Maybe that rep or producer just happens to be procrastinating in the five minutes before a phone call or a meeting, and your logline catches their eye. Of course, here, the quality of the script is even MORE important than in the query game, since your script will be reviewed and rated. If you do have a fantastic script, and you're not getting reads elsewhere, the New Blacklist is probably worth a shot (as are the Nicholl, TrackingB, etc).

[Guinea Pig]

Originally Posted by Knaight

I landed my manager with a query. Every success I've had has stemmed from that one e-mail. Granted, that was the second e-mail I sent him. In two weeks. Because he never responded to the first one. I switched out the subject line, changed up the query a bit, and went for round two. And then, when he read the script and showed some interest, I hounded him for a meeting. When I finally got it, he signed me on the spot.

Be aggressive, and keep at it.

Nice work Knaight. And good advice.

[Guinea Pig]

Originally Posted by mgwriter

The reason it's so difficult for aspiring writers to break through is not because there is a lack of avenues. The reason it is so difficult is because the overwhelming majority of scripts sent in are not BOTH well written and highly marketable. The few that are will get through the normal channels. The scripts that are well written but not marketable may get writers looked at as well.

Blacklist 3.0 is not going to change the fact that most scripts are not ready for prime time. If people are not responding to a writer's script or query, it's probably not because it just needs to be listed in the right place. It's probably because the concept is not very compelling and/or script not written well enough.

BL 3.0 will only help those writers who probably don't need the help in the first place. Everyone else will remain in the same boat with a few less dollars in their pockets. However, if it takes spending $75-$150 to learn a lesson about why a script isn't getting through, then I guess it's money well spent.

I think I'm with you on this mgwriter. I've been slogging away for the last couple of years, working, working, working at writing pages and understanding how screenplays are written.

I've put in the hours and now, finally, that work is starting to pay dividends, with a few read requests and a fairly reasonable placement in this year's Page awards (semi-finalist). I've a long way to go but I'm patient and have a plan.

I feel that many writers will see the New Black List as their short-cut into Hollywood and all they have to do is throw a first draft up and wait for the calls to come in, whilst throwing their hard-earned into a black hole.

Good scripts will get seen. I think that's the hard truth that many screenwriters don't want to face up to. If their script is good and they send it out into the big bad world, it will get noticed.

But many scripts are bad (I've written plenty of them myself ) and it's hard to get someone who has worked so hard to put the words onto the page to understand that their script is not up to par.

I would guess that the majority of scripts floating around out there (especially by un-repped writers) are not up to scratch. Writing a fantastic script is a bloody hard thing to do and takes a lot of time and commitment.

I have no doubt that the New Black List's heart is in the right place. But I wonder how much money will be wasted by writers who are simply not ready to have their scripts posted in such an arena.

[Deion22]

Never in my short career have I had to put together a logline to get someone a script. My reps normally do my loglines. And if I put one together it's not great. BDZ is right f*ck loglines -- a great script is all that matters.

I've read lots of great loglines and then the script sucks.