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#1 |
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User
Join Date: Dec 2005
Posts: 99
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How do you guys write a phone conversation? Do you clump it all together, or do you put (Beats) inbetween, or do you break it up altogether by having action lines.
Here are different ways to have a phone conversation: BOB I'm thinking of seeing you tonight. What do you think about that? (listens) Really? You don't want to see me? Why not? (listens) Well screw you! Or...another way: BOB I'm thinking of seeing you tonight. What do you think about that? Bob listens. BOB Really? You don't want to see me? Why not? He becomes angry. BOB Well screw you! I've seen it done both ways, but I'm curious how you guys do the structure of a phone conversation, especially if the phone conversation is kind of long. Are paranthesis acceptable at this point? I know that readers HATE seeing them. Most screenwriting books tend to discourage people from using them. The second example eats up too much room on a script. Does anyone know of a good script where the phone conversation was done well - but you only hear one side of the conversation. |
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#2 |
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Regular
Join Date: Dec 2005
Location: Writer/Director - Hollywood
Posts: 387
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Do you not want the audience to "hear" the other person? You could put it as a full dialogue with INTERCUT. Otherwise we only hear one side of the conversation. Would depend on your goal for the scene.
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#3 | |
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User
Join Date: Dec 2005
Posts: 99
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Quote:
I've seen it done both ways, but I'm just curious how other people do it. |
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#4 |
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Member
Join Date: May 2005
Location: Caledonia
Posts: 5,850
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Shrug, I don't think it matters.
Just an idea, to save space (if it matters) you could use ellipses to signify pauses, e.g. BOB I'm thinking of seeing you tonight. What do you think about that? ... Really? You don't want to see me? Why not? ... Well screw you! ...or you could use mood change parentheticals to act as natural breaks, e.g. BOB (charming) I'm thinking of seeing you tonight. What do you think about that? (surprised) Really? You don't want to see me? Why not? (angry) Well screw you! Shrug, just a thought. -Derek -> * <- Click on this magic star to be transported to my website. Ruby slippers optional. ________________________________________________ Hokey religions and ancient weapons are no match for a good blaster at your side, kid. |
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#5 |
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Regular
Join Date: May 2005
Location: Belgium
Posts: 201
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You should avoid telephonic conversations. they are not visual, not interesting and boring.
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#6 |
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Member
Join Date: May 2005
Location: Caledonia
Posts: 5,850
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Unfortunately a world without telephones is entirely unrealistic. They exist, people use them, they can advance the story and show character. Just keep the calls short and interesting.
-Derek -> * <- Click on this magic star to be transported to my website. Ruby slippers optional. ________________________________________________ Hokey religions and ancient weapons are no match for a good blaster at your side, kid. |
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#7 |
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Member
Join Date: May 2005
Posts: 1,823
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A STRANGER IS TELEGRAMMING doesn't have the same menacing impact, but it would be unexpected
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__________________
Fortune favors the bold - Virgil |
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#8 |
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Regular
Join Date: May 2005
Location: Hollywood, CA
Posts: 350
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This is Western Union central office! STOP.
The cad is telegraphing you from INSIDE YOUR HOMESTEAD! STOP. RUN! STOP. DON'T STOP RUNNING WHEN WE SAY "STOP". STOP. |
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#9 | |
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Member
Join Date: May 2005
Location: Far Over the Misty Mountains Cold
Posts: 7,320
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Quote:
And there is nothing wrong with some non-visual scenes in a screenplay. Dialogue is not visual, so do you mean to say that 12 Angry Men is crap because of it? You'd be hard-pressed to find a single person who believes that. |
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#10 |
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Member
Join Date: May 2005
Location: Caledonia
Posts: 5,850
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Test audience reacted badly to "12 Angry Men Having A Telephone Conversation" so they decided to stick 'em all together in a room.
-Derek -> * <- Click on this magic star to be transported to my website. Ruby slippers optional. ________________________________________________ Hokey religions and ancient weapons are no match for a good blaster at your side, kid. |
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