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#1 |
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Regular
Join Date: Sep 2009
Posts: 272
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Anybody know? Any background, anacdotes or links?
I heard STEINBECK'S POINT OF VIEW sold for $8M. No idea what it's about or what made it worth so much cash. |
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#2 |
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User
Join Date: Nov 2009
Posts: 160
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The price on that Steinbeck deal had to do with a number of escalating steps involving stuff like production bonus, blind deal for a second script, directing fees (or bonus for NOT directing) stuff like that. Can't remember what the guys actually got for the script... Although, I think it was in the 3 to 4 million range (could be a false memory) but pretty sure the reason they got so much is because Tom Cruise wanted to attach at the time. And other big actors were hot for it as well.
I'm sure somebody's compiled these numbers (pretty sure I've seen it somewhere) but off the top of my head: "Long Kiss Goodnight" -- Shane Black, "Deja Vu" -- Rossio and Marsilii, and "Unbreakable" -- Shymalan... Those were all in the 4 mill or more range just for the scripts. Course there's others that include directing fees/ profits/ etc... that probably have paid writers and particularly writer/directors more. |
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#3 |
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Member
Join Date: Jun 2008
Posts: 3,033
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Wikipedia puts the screenplay for TERMINATOR 3 at over 5 M and the script for SPIDERMAN 2 at 10 M (in both cases, story rights cost another 20 M).
Of course those weren't specs though. http://en.wikipedia.org/wiki/Film_budgeting#Examples There's also a link somewhere on that page for spec sales, including the most expensive scripts that never got produced, but I can't bother to search for it. |
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#4 |
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Moderator
Join Date: Jul 2009
Location: Los Angeles
Posts: 3,241
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Huh. I always thought the screenplay for Terminator 3 was just "They run a lot and stuff blows up" written on a napkin.
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www.Bambookillers.blogspot.com |
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#5 |
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Regular
Join Date: Sep 2009
Posts: 272
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#6 |
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Member
Join Date: Mar 2006
Location: Cocoa Beach, Florida
Posts: 701
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Highest official recorded spec sale is $6.5 million for "Deja Vu" by Terry Rossio and Bill Marsilii. A lot of the "big spec purchases" from new writers are actually complex option deals that don't always pan out to the maximum number, or anywhere near it in some cases. This one -- which had to take into account the well-established quotes for both writers even though it was a spec -- was for a real check that will likely never be topped.
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#7 |
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Regular
Join Date: Sep 2009
Posts: 272
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So pure spec deals mostly in six-figure range? [Excepting superstars like Goldman, R&E, Frank, etc.]
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#8 |
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Member
Join Date: Mar 2006
Location: Cocoa Beach, Florida
Posts: 701
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New writers with not a lot of heat on the script typically get low-six. If it's a really hot script with lots of interest, $250-500K is pretty standard. If at least two studios really, really want it (bidding war), it's not that hard to get to 7 figures. The trick is in how the deal is actually structured and how quickly you get paid at the various steps. It's never a lump sum. And as previously noted, most deals are actually options masquerading in the trades as sales, thanks to publicists.
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#9 |
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Regular
Join Date: Sep 2009
Posts: 272
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#10 | |
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Member
Join Date: May 2008
Location: NYC
Posts: 3,656
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Quote:
The napkin's framed somewhere. ![]()
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"A screenwriter is much like being a fire hydrant with a bunch of dogs lined up around it.” -Frank Miller "A real writer doesn't just want to write; a real writer has to write." -Alan Moore |
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