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#41 | |
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Member
Join Date: Oct 2010
Posts: 569
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Quote:
Often times the great original films do make money despite not ticking boxes. Eraserhead had a budget of around $20,000 and $7 million at the box office. That's 350 times it's budget. And I'd be hard pressed to find a film as unconventional as Eraserhead. You know why nobody good teaches you what to write? They're busy writing and enjoying successful careers. I really hope it's not the case but if you're in this just for money then you'll never make it. Wrong business to come in and expect easy money. It's like what Hilander said. Bad writers are always trying to write what's hot now, it's the good writers who set the trends. |
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#42 | |
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Member
Join Date: May 2005
Posts: 2,541
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But great ideas don't fall out of trees. If you have a truly wonderful idea that you can write the hell out of, and it's not obviously commercial, sometimes it's worth rolling the dice. |
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#43 | |
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Member
Join Date: Feb 2009
Posts: 1,097
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Quote:
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#44 | |
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Member
Join Date: Jun 2011
Posts: 1,117
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Quote:
Did you really ask that? If you don't know what to write you shouldn't be writing. End of story. I hope nobody has wasted their money on that book. I'll stick to taking my advice from working professional screenwriters over hacks pitching ebooks on the internet.
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Looks like I picked the wrong week to quit sniffing glue
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#45 |
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Member
Join Date: May 2005
Location: studio city
Posts: 5,520
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Two things:
1) Teaching is not learning - it is the student's responsibility to learn, whether the teacher teaches or not. You should always be seeking information. You should not expect people to hand you things. You know what I call people who wait to be handed things? Failures in the making. *You* need to be seeking at all times - curious, questioning, weighing info. 2) I always say to write the type of movies you pay to see every week - that way you are writing the kinds of films that *you* love... that enough other people love that they get made. All roads lead to Rome: If you are a gourmet chef who can whip up a smoked trout suoffle in phyllo crust and apply for a job at McDonalds - you will probably get that job... but can you make a Big Mac? You'd be surprised at how many people who can write an amazing drama screenplay that breaks them in have *zero* skills at writing a thriller or action script or whatever genre gig they end up getting. And people are shocked, shocked! that such a great writer wrote such a sucky genre film - and often blame the genre or some other element. Yet some hack wrote a much better genre film. There's a think called a wheel-house or skill-set - and if you are the chef with the talents to make that trout souffle, you *also* need the talents to make the Big Mac. If you only have *limited* skills - souffle or Big Mac - you're dead in the water. What they want is the chef who can make the delicious Big Mac... or that they can promote to come up with the next McRib because they are a creative masterchef. They can make *great* fast food. And that chef may also get hired at some fancy-ass restaurant, but there are fewer of those and the danged things close all of the time. But if you are a movie lover who goes to the cinema all the time - you already know what kinds of films get made and are writing the type of films you love. No one has to teach you... You *do* have to learn. - Bill (3 years at a 2 year community college with a "Film Appreciation" class where we watched classic movies and wrote one page book report type things and make a 3.5 minute movie every semester... everything else was what I learned). |
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#46 |
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Member
Join Date: Aug 2010
Posts: 2,174
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Man. I want a Big Mac, now.
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#47 | |
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Member
Join Date: Feb 2011
Location: Los Angeles
Posts: 846
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Quote:
And a good commercial idea will inherently be accessible to a wide audience, if you need a checklist, you don't study the right films/trends/marketplace. If you ever need a reference of commercial films, look here. http://boxofficemojo.com/alltime/world/ Best, Michael
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twitter.com/mbotti |
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#48 |
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Banned
Join Date: Feb 2011
Posts: 242
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#49 |
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Member
Join Date: Feb 2011
Location: Los Angeles
Posts: 846
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The Los Angeles Film School on sunset. I was in the producing and screenwriting programs. I also got my B.A in creative writing from Colorado State.
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twitter.com/mbotti |
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#50 |
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Banned
Join Date: Feb 2011
Posts: 242
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It's just that most pros say it's a good thing to go to film school, and that it helped them enormously. So what you're saying contradicts that.
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