There's a point to be made with Tarantino's 5 "chapter" structure; novelistic style writing is, as he's previously stated in interviews, "inherently cinematic."
Five doom-impending sequences, all indepentendly gripping, yet all tied together, making one coherent, epic story.
This format does not belong to Tarantino alone, but all novelistic-influenced story tellers.
I know so few writers are truly gifted in pulling this structure off, but why when it's well written is it still so heavily denied by agents, executives and producers?
Whether you have the facts or an expert's opinion, please expand on this topic with me.
Five doom-impending sequences, all indepentendly gripping, yet all tied together, making one coherent, epic story.
This format does not belong to Tarantino alone, but all novelistic-influenced story tellers.
I know so few writers are truly gifted in pulling this structure off, but why when it's well written is it still so heavily denied by agents, executives and producers?
Whether you have the facts or an expert's opinion, please expand on this topic with me.
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