Iâ€TMd really like to write a road movie and was wondering what the nature of the antagonistic force is in many of these? For instance, the antagonistic force can exist in the form of law enforcement, etc, but is the experience of the road a valid antagonistic force, such as the odd stranger who might foil the plan of the protagonists, or is this not concrete enough?
I intend to get access to some road movies to check stuff like this out, but wouldnâ€TMt mind the initial help.
Thanks.
I intend to get access to some road movies to check stuff like this out, but wouldnâ€TMt mind the initial help.
Thanks.
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