Interesting Ernest Hemingway interview



No announcement yet.
  • Filter
  • Time
  • Show
Clear All
new posts

  • Interesting Ernest Hemingway interview

  • #2
    Re: Interesting Ernest Hemingway interview

    Great find!

    Something interesting I got from it:

    The interviewer asks him what happens when his inspiration to write is gone.

    Hemingway says that he'll stop writing each day at a point where he already knows what's going to happen next.

    So facing the blank page the next day he can leap right into it, since he already knows what he has to write. I guess the first hurdle of the day was the biggest.

    Fun quotes:

    The fun of talk is to explore, but much of it and all that is irresponsible should not be written. Once written you have to stand by it. You may have said it to see whether you believed it or not.
    ...I always try to write on the principle of the iceberg. There is seven-eighths of it underwater for every part that shows. Anything you know you can eliminate and it only strengthens your iceberg. It is the part that doesn’t show. If a writer omits something because he does not know it then there is a hole in the story.
    ...I was trying to learn in Chicago in around 1920 and was searching for the unnoticed things that made emotions, such as the way an outfielder tossed his glove without looking back to where it fell, the squeak of resin on canvas under a fighter’s flat-soled gym shoes, the gray color of Jack Blackburn’s skin when he had just come out of stir, and other things I noted as a painter sketches. You saw Blackburn’s strange color and the old razor cuts and the way he spun a man before you knew his history. These were the things which moved you before you knew the story.
    I might say that what amateurs call a style is usually only the unavoidable awkwardnesses in first trying to make something that has not heretofore been made. Almost no new classics resemble other previous classics. At first people can see only the awkwardness. Then they are not so perceptible. When they show so very awkwardly people think these awkwardnesses are the style and many copy them. This is regrettable.
    ...I learn as much from painters about how to write as from writers. You ask how this is done? It would take another day of explaining. I should think what one learns from composers and from the study of harmony and counterpoint would be obvious.
    From things that have happened and from things as they exist and from all things that you know and all those you cannot know, you make something through your invention that is not a representation but a whole new thing truer than anything true and alive, and you make it alive, and if you make it well enough, you give it immortality. That is why you write and for no other reason that you know of. But what about all the reasons that no one knows?