Just saw this (by Anna Boden and her husband) because it is the type of movies that I would like to make.
Two short questions - one easy, one tricky.
1) The midpoint is when Sugar gets injured right? Because that's when his pitching skills drop down a notch which forces him to reflect on being a baseball player.
2) Trickier, I think. In Michael Hauge's world - what is the end goal here for the hero? (Remember him? He states that you need a visible finish line. You need to have a story about stopping or retrieving, or escaping, or winning.)
Ok, originally, the hero's goal is to be a major league pitcher in the U.S., right? But doesn't this change after his injury? So what would be his tangible goal then? Would Hauge allow for a change of goal within a movie? Or do I have the wrong goal to begin with?
Two short questions - one easy, one tricky.
1) The midpoint is when Sugar gets injured right? Because that's when his pitching skills drop down a notch which forces him to reflect on being a baseball player.
2) Trickier, I think. In Michael Hauge's world - what is the end goal here for the hero? (Remember him? He states that you need a visible finish line. You need to have a story about stopping or retrieving, or escaping, or winning.)
Ok, originally, the hero's goal is to be a major league pitcher in the U.S., right? But doesn't this change after his injury? So what would be his tangible goal then? Would Hauge allow for a change of goal within a movie? Or do I have the wrong goal to begin with?
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