Loved this movie. Seemed like 90 minutes rather than 180. F. Murray's acting is on a level that is seldom reached these days. The music and cinematography are excellent.
A friend of mine who is a Mozart fanatic railed against the film for its historical inaccuracies (Mozart had six children, not one, being the most glaring problem).
She missed the point that this was NOT a historical film, but a character piece, pitting Salieri, the "mediocre" who could recognize genius but did not have it himself.
I was a bit spoiled by the fact that I saw Amadeus first as a play. The play just blew me away; so I couldn't help comparing it to the film (and what they left out of the film - frex, "he stole my march!" was in the play, but was left out of the film; or changed for the purposes of making it movie-ish instead of play-ish - having Salieri confess to a priest instead of the audience, thus taking away a connection between Salieri, the ordinary man and us ordinary people).
That being said, I, too, loved the movie (though not as much as the play), and Abraham's performance was absolutely terrific.
Poor Salieri. He has what he was characterised to have so coveted from Wolfgang: his own "immortality."
A friend of mine who is a Mozart fanatic railed against the film for its historical inaccuracies (Mozart had six children, not one, being the most glaring problem).
She missed the point that this was NOT a historical film, but a character piece, pitting Salieri, the "mediocre" who could recognize genius but did not have it himself.
I was a bit spoiled by the fact that I saw Amadeus first as a play. The play just blew me away; so I couldn't help comparing it to the film (and what they left out of the film - frex, "he stole my march!" was in the play, but was left out of the film; or changed for the purposes of making it movie-ish instead of play-ish - having Salieri confess to a priest instead of the audience, thus taking away a connection between Salieri, the ordinary man and us ordinary people).
That being said, I, too, loved the movie (though not as much as the play), and Abraham's performance was absolutely terrific.
Salieri was a mush more talented writer and gifted and generous teacher than was depicted in the film. He sponsored and taught many of the world's greatest composers, most of which considered him to be a great master and generous benefactor who gave much of his time and wealth to helping new music talent grow.
But the highly fictionalized character and his relationship with Mozart is almost perfect for the story.
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